2023 Indie Memphis Film Festival Lineup Announced

From top left to right: May December, Juvenile: 5 Stories, Thank You Very Much, Dream Scenario, The Space Race, Mami Wata, Donna and Ally, Black Barbie, Going Varsity in Mariachi, The Cassandra Cat

The 26th Annual Indie Memphis Film Festival Announces Full Slate, ft. World Premiere Titles, Festival Favorites Inc. Todd Haynes’ MAY DECEMBER,  New Restorations, and More

(September 19, 2023  | Memphis, TN) Indie Memphis Film Festival, presented by SouthState|DuncanWilliams and Duncan Williams Asset Management, is thrilled to announce its 2023 slate. This year’s festival features world premieres, a brilliant roster of new restorations, festival favorites, and little-known gems that slipped through the cracks of larger festivals. 

“I’m so excited to reveal the amazing slate of films that our programming team has so diligently worked on over the past year,” says Indie Memphis Executive Director, Kimel Fryer. “This was my first time working with our staff for the full-cycle of the festival planning process and I’m so proud to say the curation they are providing is absolutely phenomenal.”

As previously announced, this year’s Opening Night Film will be Raven Jackson’s heralded All Dirt Roads Taste of Salt, with Jackson in-person for a Q&A. The following day, Jackson will also be in conversation with the film’s cinematographer, Jomo Fray, whose recent work has included Emergency (Special Jury Award at the 2018 Sundance Film Festival & Grand Jury Award at SXSW), Selah and the Spades (Sundance 2019), Runner (TIFF 2022), and many others. 

Another festival conversation will be with Sam Lisenco, the production designer of Todd Haynes’ May December, which will screen following his conversation. Lisenco will discuss his craft and career, which include the films Uncut Gems, Frances Ha, Judas and the Black Messiah, Eighth Grade, Vox Lux, and series The Bear.

Festival highlights include the World Premieres of Connor Mahony’s madcap comedy Donna and Ally, as well as The Blues Society, a documentary by Augusta Palmer about the Memphis Country Blues Festival (which took place at Overton Park Shell, a few blocks from Indie Memphis headquarters). In addition, the festival favorite titles include Alice Rohrwacher’s La Chimera featuring Josh O’Connor, Kristoffer Borgli’s Dream Scenario, featuring a remarkable performance from Nicholas Cage, Alex Braverman’s Andy Kaufman doc Thank You Very Much, and many others.

“I can’t wait for our audiences to see the films in the festival this year. This seems to be the first year of films really processing the strange world we are emerging from over the past few years,” says Indie Memphis Artistic Director Miriam Bale. “I can’t think of a better way to process than collectively, with audiences laughing and crying, or both. And I want to highlight the Revivals section which includes tributes to a Memphis film pioneer, Keenan Ivory Wayans, Juliet Berto, and our celebration of the 50th anniversary of hip hop. We chose not to show documentaries about hip hop, but instead two movies made by rappers and music video directors that went on to influence independent film.”

Additional upcoming announcements will include the Closing Night Film, shorts lineup, virtual screenings, additional conversations and panels, the competition film jury, live music lineup, and more.

The slate was unveiled on the evening of September 19th at 8PM CT, live at Memphis’ Black Lodge.

The festival will span from October 24th through 29th in-person [and virtually] in historic Memphis, TN. More titles, including the Centerpiece Presentation and Closing Night Film will be revealed in the coming weeks. More info is available at https://www.indiememphis.org/imff23. 

For press and media inquiries, please contact Caitlin@CaitlinHughesPR.com


2023 Indie Memphis Film Festival Slate

Alphabetical by Category


OPENING NIGHT

All Dirt Roads Taste of Salt (Dir. Raven Jackson)
A lyrical, decades-spanning exploration across a woman's life in Mississippi, the feature debut from award-winning poet, photographer and filmmaker Raven Jackson is a haunting and richly layered portrait, a beautiful ode to the generations of people and places that shape us.
2023, 97 min, Drama


NARRATIVE COMPETITION

Banel & Adama (Dir. Ramata-Toulaye Sy) 
Banel and Adama, deeply in love, face a clash between their passionate relationship and the rigid customs of their remote Senegalese village.
2023, 87 min, Drama

Donna and Ally (Dir. Connor Mahony) - WORLD PREMIERE
Embark on a wild ride with Oakland's dynamic duo, Donna and Ally, on an unstoppable journey from liquor-store-couture to stardom!
2023, 88 min, Comedy

The Feeling That the Time for Doing Something Has Passed (Dir. Joanna Arnow) 
A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
2023, 87 min, Comedy

Mountains (Dir. Monica Sorelle)
While trying to buy a new home, a Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying neighborhood.
2023, 95 min, Drama

Notes on a Summer (Dir. Diego Llorente) 
Marta returns home to a summer like all other summers, yet a summer different from all the previous ones.
2023, 83 min, Drama/Romance

Late Bloomers (Dir. Lisa Steen)
A 28-year-old Brooklynite, recovering from a drunken mishap, reluctantly takes on the responsibility of caring for a cantankerous elderly Polish woman, forcing them both to confront the need for growth in their lives.
2023, 89 min, Comedy


DOCUMENTARY COMPETITION

Bad Press (Dirs. Rebecca Landsberry-Baker, Joe Peeler)
When the Muscogee Nation suddenly begins censoring their free press, a rogue reporter fights to expose her government’s corruption in a historic battle that will have ramifications for all of Indian Country.
2023, 98 min

Black Barbie (Dir. Lagueria Davis)
Through intimate access to a charismatic Mattel insider, Beulah Mae Mitchell, Black Barbie delves into the cross section of merchandise and representation as Black women strive to elevate their own voices and stories, refusing to be invisible.
2023, 100 min

Going to Mars: The Nikki Giovanni Project (Dirs. Joe Brewster, Michèle Stephenson)
A layered exploration into the inspiring life and legacy of legendary poet Nikki Giovanni, using a blend of memories, historical moments, live poetry readings, and imaginative visuals to envision a future where Black women lead and equity prevails, all while honoring Giovanni's profound impact on Black liberation.
2023, 96 min

Mississippi River Styx (Dirs. Andy McMillan, Tim Grant)
An enigmatic drifter with terminal cancer lives his dream of floating the Mississippi River on a ramshackle houseboat — until locals start to question his story.
2023, 126 min

Thank You Very Much (Dir. Alex Braverman)
A comprehensive documentary exploration of Andy Kaufman's perplexing career, blurring the lines between reality and performance, leaving audiences questioning the true essence of this enigmatic figure even nearly 40 years after his alleged passing.
2023, 99 min

A Thousand Pines (Dirs. Sebastian Diaz, Noam Osband)
Raymundo Morales runs a crew of 12 Oaxacan tree planters traveling the United States in this intimate portrait about a hidden world of guest workers regrowing America’s forests.
2023, 77 min


NARRATIVE SPOTLIGHT

Anatomy of a Fall (Dir. Justine Triet)
After her husband Samuel's suspicious death in the French Alps, Sandra becomes the prime suspect in a murder investigation, leading to an unsettling psychological exploration of their complex relationship during the trial.
2023, 152 min, Drama/Thriller

The Becomers (Dir. Zach Clark)
A body-snatching alien comes to Earth, reconnects with their partner, and tries to find their way in modern America.
2023, 86 min, Comedy

La Chimera (Dir. Alice Rohrwacher)
La Chimera follows the travails of Arthur, an Englishman in Italy with a preternatural ability to connect with the land.
2023, 133 min, Drama

Dream Scenario (Dir. Kristoffer Borgli)
Hapless family man Paul Matthews (Nicolas Cage) finds his life turned upside down when millions of strangers suddenly start seeing him in their dreams.  But when his nighttime appearances take a nightmarish turn, Paul is forced to navigate his newfound stardom, in this wickedly entertaining comedy from writer-director Kristoffer Borgli (Sick of Myself) and producer Ari Aster.
2023, 100 min, Comedy

Evil Does Not Exist (Dir. Ryûsuke Hamaguchi)
In the serene rural village of Harasawa, Takumi and his daughter Hana face an imminent threat to their idyllic way of life as a Tokyo company plans to construct a glamping site, jeopardizing the community's ecological well-being.
2023, 106 min, Drama

Mami Wata (Dir. C.J. "Fiery" Obasi)
When Zinwe visits her late grandmother’s village, she must confront her true spiritual destiny, and save her people from the hands of the ruthless and violent Sergeant Jasper, to usher in a new age of blessing and prosperity.
2023, 107 min, Drama/Thriller

May December (Dir. Todd Haynes)
Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.
2023, 113 min, Drama

Passages (Dir. Ira Sachs)
Set in Paris, this seductive drama tracks a gay couple whose marriage is thrown into crisis when one of them begins a passionate affair with a younger woman he meets after completing his latest film.
2023, 92 min, Drama/Romance

Robot Dreams (Dir. Pablo Berger)
Based on the popular graphic novel by the North American writer Sara Varon, Robot Dreams tells the adventures and misfortunes of Dog & Robot in NYC during the ’80s.
2023, 102 min, Animation/Drama

Scrapper (Dir. Charlotte Regan)
Living alone since her beloved mum died, 12-year-old Georgie fills the flat they shared with her own special magic. But when her absent father Jason turns up out of the blue, she’s forced to confront reality.
2023, 84 min, Comedy/Drama

The Sweet East (Dir. Sean Price Williams)
A picaresque journey through contemporary America, undertaken by a young woman granted access to the strange sects and cults that proliferate in this country by a series of gatekeepers eager to win her over.
2023, 104 min, Drama

The Taste of Things (Dir. Tran Anh Hung)
Eugenie, an accomplished cook, and Dodin, her employer of two decades, evolve from a professional relationship into a romantic one, producing extraordinary dishes that captivate the world's top chefs.
2023, 145 min, Drama/Romance


DOCUMENTARY SPOTLIGHT

The Space Race (Dirs. Lisa Cortés, Diego Hurtado de Mendoza)
Uncover the little-known stories of the first Black pilots, engineers and scientists seeking to break the bonds of social injustice to reach for the stars, including Guion Bluford, Ed Dwight and Charles Bolden among many others.
2023, 91 min

A Still Small Voice (Dir. Luke Lorentzen)
A Still Small Voice follows Mati, a chaplain completing a year-long hospital residency, as she learns to provide spiritual care to people confronting profound life changes.
2023, 93 min

Telemarketers (Dirs. Sam Lipman-Stern, Adam Bhala Lough)
Chronicling the darkly comedic, unexpected 20-year journey of two unlikely office buddies, who stumble upon the murky truth behind the work they’ve been doing at a seedy New Jersey call center and vow to expose the crooked American telemarketing industry from within.
2023, Three TV Episodes, Theatrical Debut

We Have Just Begun (Dir. Michael Warren Wilson)
Deep in the Arkansas Delta lies the legacy of the worst race or labor battle in American history—buried for 100 years.
2023, 82 min

Your Fat Friend (Dir. Jeanie Finlay)
Your Fat Friend charts Aubrey Gordon’s journey from anonymous blogger Yrfatfriend to NY Times bestselling author and podcast host and the complexities of making change. It’s a film about fatness, family and the deep, messy feelings all of us hold about our bodies.
2023, 96 min


REVIVALS & RESTORATIONS

* 50 Years of Hip Hop Tribute *

Belly (Dir. Hype Williams)
Two temporarily successful crime lords, Tommy and Sincere, both begin to realize that their lives are headed toward a dead end. Sincere begins getting in touch with his African roots, while Tommy has a religious awakening and joins the Nation of Islam.
1998, 96 min, Drama

Friday (Dir. F. Gary Gray)
Over the course of a random Friday in their LA neighborhood, newly unemployed Craig and stoner pal Smokey try to come up with $200 to pay off a debt.
1995, 91 min, Comedy

The Cassandra Cat (Dir. Vojtěch Jasný) - NEW RESTORATION
A bespectacled cat brings chaos to a small town when its glasses are removed and it sees people in different colors according to their personalities.
1963, 101 min, Comedy

Contemporary Gladiator (Dir. Anthony Elmore) - SPECIAL HOMETOWNER REVIVAL
Anthony "Amp" Elmore, a Memphis Black youth facing social and economic challenges, finds self identity and inner strength to become the World Heavy Kickboxing Champion.
1988, 85 min, Action/Drama

An Evening with Julius-Amédée Laou
Paris-based Laou will appear in person to speak on his career and screen two short films from the 1980s.


* Tribute to Juliet Berto *

Celine and Julie Go Boating (Dir. Jacques Rivette)
A mysteriously linked pair of young women find their daily lives preempted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.
1974, 193 min, Drama

Neige (Dir. Juliet Berto)
Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.
1981, 90 min, Drama


* Tribute to Keenen Ivory Wayans *
In Collaboration with the Roxy Cinema, NYC

I'm Gonna Git You Sucka (Dir. Keenen Ivory Wayans)
In his directorial debut, Keenen Ivory Wayans writes, directs, and stars in this uproarious blaxploitation parody film as soldier Jack Spade, who, upon discovering his brother Junebug's fatal overdose on gold chains, embarks on a mission to dismantle the local chain lord responsible.
1988, 88 min, Comedy

Scary Movie (Dir. Keenen Ivory Wayans)
A familiar-looking group of teenagers find themselves being stalked by a more-than-vaguely recognizable masked killer! As the victims begin to pile up and the laughs pile on, none of your favorite scary movies escape the razor-sharp satire of this outrageously funny parody!
2000, 105 min, Comedy

White Chicks (Dir. Keenen Ivory Wayans)
Two black FBI agents consigned to baby-sitting a pair of empty-headed socialites pose as the white party girls to flush out their would-be kidnappers.
2004, 105 min, Comedy


The Plot Against Harry (Dir. Michael Roemer) - NEW RESTORATION
Deadpan, small-time Kosher Nostra mobster Harry Plotnick goes meshugga when he gets into the catering biz with his ex-brother-in-law in this bona fide comedy classic.
1989, 81 min, Comedy 

Yam Daabo (Dir. Idrissa Ouédraogo) - NEW RESTORATION
Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.
1986, 78 min, Drama


DEPARTURES

La Bonga (Dirs. ​​Sebastián Pinzón Silva, Canela Reyes)
Two decades after a death threat from right-wing paramilitaries caused the maroon community of La Bonga to flee, the townspeople embark on a symbolic journey through the jungles of the Colombian Caribbean to resurrect a home that exists only in their memories.
2023, 77 min, Documentary

An Evening Song (For Three Voices) (Dir. Graham Swon)
1930’s, somewhere in the American Midwest: former child-prodigy writer Barbara moves to the countryside with her pulp-fiction scribe husband Richard where they become entwined in a love triangle with their religious housekeeper Martha.
2023, 127 min, Drama

Q (Dir. Jude Chehab)
Jude Chehab investigates her mother Hiba's adherence to a closed-off, all-female religious sect in Syria. Chehab examines how their mother-daughter relationship and the dynamics of the entire family were upended by this devotion.
2023, 91 min, Documentary 

Rejeito (Dir. Pedro de Filippis)
After the largest mining dam breaks in history, further dam collapses threaten millions in Brazil. A state counselor confronts the government's modus operandi, while dam refugees resist the mining companies' abuses in their threatened communities.
2023, 75 min, Documentary 

The Taste of Mango (Dir. Chloe Abrahams)
In this hypnotically cinematic love letter flowing through time and generations, director Chloe Abrahams probes raw questions her mother and grandmother have long brushed aside, tenderly untangling painful knots in her family’s unspoken past.
2023, 75 min, Documentary

What These Walls Won’t Hold (Dir. Adamu Taye Chan)
Filmmaker Adamu Chan, who was incarcerated at San Quentin State Prison during the height of the COVID-19 outbreak in 2020, documents his path through incarceration and beyond.
2023, 43min, Documentary 


SOUNDS

The Blues Society (Dir. Augusta Palmer) - WORLD PREMIERE
In segregated Memphis, blues masters and hippies created a festival that rocked the world. Mind-blowing performances combine with critical storytelling to create a must-see reframe of the 1960s.
2023, 76 min, Documentary 

Going Varsity in Mariachi (Dir. Alejandra Vasquez, Sam Osborn)
The teenage captains of Edinburg North High School's mariachi team aim to turn a small budget and a diverse group of inexperienced musicians into state champions in the competitive world of high school mariachi.
2023, 104 min, Documentary 

The Graceless Age: The Ballad of John Murry (Dir. Sarah Share)
Chronicling singer-songwriter John Murry's journey from the brink of greatness to his descent into addiction, before ultimately finding redemption and a revitalized passion for life and art through his music.
2023, 90 min, Documentary 


HOMETOWNER COMPETITION 

The First Class (Dir. Lee Hirsch)
An intimate verité film that follows students and educators at Crosstown High, a groundbreaking new high school in Memphis. Their inspiring journey shows what learning can look like—and accomplish—when a city comes together to rethink what high school can be.
2023, 97 min, Documentary

I Am (Dir. Jessica Chaney) - WORLD PREMIERE
A documentary centering Black women who live with Anxiety Disorder, how they cope, and how they thrive.
2023, 75 min, Documentary

Juvenile: 5 Stories (Dirs. Joann Self Selvidge, Sarah Fleming) - WORLD PREMIERE
A diverse group of five young people from around the country face their traumas and seek healing after being released from the justice system.
2023, 55 min, Documentary 

The Reaper Man (Dir. Jaron Lockridge)
A grieving wife summons a dark spirit with an insatiable desire for revenge.
2023, 85 min, Horror

Scent of Linden (Dir. Sissy Denkova)
A recent immigrant, Stefan moves into the Bulgarian enclave in Tennessee.
2023, 112 min, Comedy

Spirit of Memphis (Dir. Alicia LaToya Ester) - Preceded by Short The Volunteer Ticket - WORLD PREMIERE
A love letter to Memphis TN shot narrative style with exclusive interviews, highlighting the role that the Sanitation Strike, Historic Clayborn Temple, and Memphis played in America's complicated history.
2023, 96 minutes (total), Documentary 


HOMETOWNER SPOTLIGHT

Birth Of Soul Music (Dir. George Tillman) - Preceded by Short Please Ask for It
Birth Of Soul Music is a story about legendary beginnings at the club Paradise. 
2023, 75 min (total), Documentary

Queen Rising (Dir. Princeton James Echols)
Struggling school teacher Madison strikes a lucrative book deal to help solve her financial troubles. As she dives into her dark past surrounding the "College Town Slayings," she realizes it may still be a part of her present after all.
2022, 87 min, Thriller

Indie Memphis Film Festival Opening Night Film Announced

Pictured left to right: Director/Screenwriter Raven Jackson; still from ALL DIRT ROADS TASTE OF SALT

2023 Indie Memphis Film Festival to Open with Alumna Raven Jackson’s ALL DIRT ROADS TASTE OF SALT

(September 12, 2023 | Memphis, TN) Indie Memphis Film Festival, presented by SouthState | DuncanWilliams and Duncan Williams Asset Management is thrilled to announce the Opening Night Film for this year: Raven Jackson’s heralded ALL DIRT ROADS TASTE OF SALT, with Jackson in-person. The A24 title, which had its World Premiere at the 2023 Sundance Film Festival, will screen on October 24th at the Crosstown Theater, preceded by an Opening Night reception.

ALL DIRT ROADS TASTE OF SALT is coming home to Indie Memphis, as Jackson was awarded the 2019 Indie Memphis Black Filmmaker Residency for Screenwriting. The Residency, which began in 2018, provides the opportunity for under-represented artists in filmmaking to develop bold storytelling and connect with fellow writers, artists, and other industry professionals in Memphis. Jackson’s script was selected by MOONLIGHT filmmaker Barry Jenkins, who later signed on to produce – and things exploded from there.

Raven Jackson says, “Coming back to Indie Memphis to screen All Dirt Roads Taste of Salt is a moving full circle moment. I spent such important time developing the script there, and I’m beyond excited to share the completed film at the festival.”

The film, Jackson’s feature debut, is a lyrical, decades-spanning exploration of a Mississippi woman’s life, touching on the people, places, and moments that shape us; Jackson both wrote and directed. Tennessee-native Jackson is an award-winning filmmaker, poet, and photographer and her feature is a culmination of all her finely-tuned oeuvres.

Indie Memphis Executive Director Kimel Fryer says about the film, “As someone who grew up in rural Tennessee, my breath was taken away by All Dirt Roads Taste of Salt. Raven Jackson captured Black stories in a visually stunning way that felt like home. We are honored to be able to open the 26th annual Indie Memphis Film Festival with this magnificent film.  Additionally, this is a testament to the success of the Black Creators Forum and to the Indie Memphis staff and sponsors who continue to support the program.”

The 2023 Indie Memphis Film Festival will run from October 24th through the 29th in-person [and virtually] in the historic Memphis, TN. The full festival program will be announced in the coming weeks; more info is available at https://www.indiememphis.org/imff23.


About Raven Jackson: Raven Jackson is an award-winning filmmaker, poet, and photographer from Tennessee. Her work often explores landscapes of indefinable experiences and emotions, as well as the body’s relationship to nature. Jackson’s debut narrative feature, All Dirt Roads Taste of Salt, made in partnership with Maria Altamirano, PASTEL, and A24, world-premiered in the US Dramatic Competition at the 2023 Sundance Film Festival. The film has received support from Cinereach, SFFILM, the Gotham, Film Independent, Tribeca Film Institute, New Orleans Film Society, Ikusmira Berriak, Indie Memphis, Kenneth Rainin Foundation, and Westridge Foundation.

Her short films Nettles and A Guide to Breathing Underwater are currently streaming on the Criterion Channel. She is a Cave Canem fellow and holds MFAs from New York University's Graduate Film Program and the New School's Writing Program. Her chapbook of poetry, little violences, is available from Cutbank Literary Magazine.

SAG-AFTRA & WGA Strike Info and Resources

Indie Memphis supports the members of film/TV unions (SAG-AFTRA and WGA) currently striking for fair compensation and other key artistic existential issues. We are carefully moving in alignment with the strike rules. At the same time we are leaning into the truly independent films and filmmakers expressed in our name and our long history, and will continue celebrating those films made with small budgets outside the studio system. Please see the links below offering more information on the strikes and ways you can support, if interested. (Even the most independent filmmakers are suffering financially, with a majority of productions that they depend on for income currently shut down.) 

GENERAL INFORMATION ABOUT THE STRIKES

WAYS TO SUPPORT THE STRIKE

RESOURCES FOR THOSE INVOLVED WITH THE STRIKE

25th Annual Indie Memphis Film Festival Announces Jury & Festival Awards

The 25th Annual Indie Memphis Film Festival Announces 2022 Award-Winners, Including Ellie Foumbi’s Best Narrative Feature OUR FATHER, THE DEVIL and Reed Harkness’ Best Documentary Feature SAM NOW

Indie Memphis Film Festival, presented by Duncan-Williams, Inc. and Duncan Williams Asset Management, is pleased to announce this year’s award-winners. The awards show, sponsored by Eventive, was held in-person in Memphis, as well as online, on the evening of October 22th. The awards were presented by festival staff, as well as members of the awards juries. The 2022 festival screened over 184 feature films, shorts, and music videos, with most screenings followed by in-person filmmaker Q&As. 

Jury Award highlights include Best Narrative Feature for OUR FATHER, THE DEVIL (Dir. Ellie Foumbi, $1K cash prize), Best Documentary Feature for SAM NOW (Dir. Reed Harkness, $1K cash prize), Best Hometowner Feature for THE ‘VOUS (Dir. Jack Lofton’s, $1K cash prize - World Premiere), Best Departures Feature for THIS HOUSE (CETTE MAISON) (Dir. Miryam Charles, $500 cash prize), and Best Sounds Feature for KUMINA QUEEN (Dir. Nyasha Laing, $500 cash prize), among others. 

The festival also awarded two yet-to-be-produced short films with Indie Grant prizes: “Bluff City Chinese” (Dir. Anna Cai) and “R.E.G.G.I.N." (Dir. A.D. Smith). These films from Memphis-based filmmakers were chosen by a jury and were each awarded with $39K; grant support comprised of $15K cash provided by sponsor Mark Jones and $24K of cash-equivalent rentals and donations provided by sponsors Firefly Grip & Electric, LensRentals, Music + Arts Studio, and VIA. Three winners will each receive grant packages worth $13K.

The Festival Awards, decided by Indie Memphis Festival staff, include the Ron Tibbett Excellence in Filmmaking Award for ME LITTLE ME (Dir. Elizabeth Ayiku) and the Craig Brewer Emerging Filmmaker Award for VERY RARE (Dir. Eric Younger  - World Premiere), among others.

Audience Awards will be announced following the festival.


2022 Indie Memphis Film Festival Jury & Festival Award-Winners

Winners by Category

Jury Awards

Narrative Features
Awarded by Jury Members Marlowe Granados, Doreen St. Félix

  • Best Narrative Feature, OUR FATHER, THE DEVIL (Dir. Ellie Foumbi) - $1K Cash Prize

  • Duncan Williams Best Screenplay Award, ACTUAL PEOPLE (Dir. Kit Zauhar) - $1K Cash Prize, sponsored by Duncan Williams, Inc.

Documentary Features
Awarded by Jury Members Brooke Marine, Tara Violet Niami, Tchaiko Omawale; Sponsored by Classic American Hardwoods

  • Best Documentary Feature, SAM NOW (Dir. Reed Harkness) - $1K Cash Prize

  • Special Jury Mention for Revolutionary Cinema, SILENT BEAUTY (Dir. Jasmin Mara López)

  • Special Jury Mention for Transcendent Cinema, OUTTA THE MUCK  (Dir. Ira McKinley, Bhawin Suchak)

Hometowner
Awarded by Jury Members Jessica Chriesman, Brandon Harris, Larry Karaszewski; Sponsored by Tennessee Entertainment Commission

  • Best Hometowner Feature, THE ‘VOUS (Dir. Jack Lofton) - $1K Cash Prize

  • Best Hometowner Narrative Short, “Nordo” (Dir. Kyle Taubken) - $500 Cash Prize

  • Best Hometowner Documentary Short, “What We’ll Never Know” (Dir. Lauren Ready) - $500 Cash Prize

Departures
Awarded by Jury Members Blair McClendon, Ashley Clark, Yasmina Price

  • Best Departures Feature, THIS HOUSE (CETTE MAISON) (Dir. Miryam Charles) - $500 Cash Prize

  • Best Departures Mid-Length Film, “Civic” (Dir. Dwayne LeBlanc)

  • Best Departures Short, “Maya at 24” (Dir. Lynn Sachs)

Sounds
Awarded by Maya Cade, Rōgan Graham, Sydney Urbanek

  • Best Sounds Feature, KUMINA QUEEN (Dir. Nyasha Laing) - $500 Cash Prize

  • Best National Music Video, “Vacant Spaces” (Dir. Joe Baughman)

  • Best Hometowner Music Video, “Don’t Come Home” (Dirs. Emily Rooker & Mitchell Carter)

Shorts
Awarded by Jury Members Laure Bender, Faridah Gbadamosi, Kate Gondwe

  • Best Narrative Short, “Sugar Glass Bottle” (Dir. Neo Sora)  - $500 Cash Prize

  • Best Documentary Short, “The Body is a House of Familiar Rooms” by Eloise Sherrid + Lauryn Welch - $500 Cash Prize

IndieGrants
Awarded by Jury Members Mandy Marcus, Soraya McDonald, Maria Santos; Sponsored by Mark Jones with rentals and donations provided by Firefly Grip & Electric, LensRentals, Music + Arts Studio, and VIA.

  •  “Bluff City Chinese” (Dir. Anna Cai)- $15K Grant ($7.5K cash, $7.5K In-Kind Filmmaking Services)

  • “R.E.G.G.I.N." (Dir. A.D. Smith) - $15K Grant ($7.5K cash, $7.5K In-Kind Filmmaking Services)

Poster Design
Awarded by Jury Members Brittney Boyd Bullock, Coe Lapossy, Mia Saine

  • THIS HOUSE (CETTE MAISON) (Dir. Miryam Charles) 

Festival Awards

Ron Tibbett Excellence in Filmmaking 

  • ME LITTLE ME (Dir. Elizabeth Ayiku)

Craig Brewer Emerging Filmmaker

  • VERY RARE (Dir. Eric Younger)

Soul of Southern Film Award

  • OUTTA THE MUCK by (Dir. Ira McKinley, Bhawin Suchak)

Vision Award

  • Ryan Watt

Indie Award

  • Sallie Sabbatini

Best After Dark Film

  • “Gussy” (Dir. Chris Osborn)

2022 Indie Memphis Film Festival Additional Titles Announced

From top left to right: The Inspection, The Lost King, Gentlemen Prefer Blondes, Don Juan, Louis Armstrong: Black and Blues, The Art of Eating: The Life and Appetites of M.F.K. Fisher, Saint Omer

The 25th Annual Indie Memphis Film Festival Announces Additional Titles, Including Elegance Bratton’s THE INSPECTION and Alice Diop’s SAINT OMER

 Indie Memphis Film Festival, presented by Duncan-Williams, Inc. and Duncan Williams Asset Management, is pleased to announce some very exciting new additions to its 2022 slate. This year marks the 25th Anniversary of the Indie Memphis Film Festival, and it’s bigger than ever with these cutting edge new indies and a Howard Hawks classic introduced by novelist Marlowe Granados. The festival will run from October 19th through 24th on the ground in Memphis, as well as virtually.

These new additions include this year’s Centerpiece Presentation, Elegance Bratton’s THE INSPECTION, fresh from its World Premiere at the Toronto International Film Festival. The film stars Jeremy Pope in a breakout performance as a gay black Marine has been cast out by his mother (Gabrielle Union). 

“We are honored to screen Indie Memphis alumnus Elegance Bratton’s unbelievably sensitive, assured film THE INSPECTION as our Centerpiece film. There is something almost classical about the film, reminding me of MOONLIGHT, BEAU TRAVAIL, and even more so of Hollywood classic melodramas.”

Another strong awards contender is recent Indie Memphis Black Creators Forum guest Alice Diop’s debut narrative film, SAINT OMER, a drama centering on the trial of Laurence Coly, a young woman accused of killing her 15-month-old daughter. Other selections include Serge Bozon’s offbeat romantic musical DON JUAN starring Tahar Rahim and Virginie Efira, which screened at this year’s Cannes Film Festival, as well as acclaimed filmmaker Stephen Frears’ THE LOST KING, starring Sally Hawkins and Steve Coogan (who also co-wrote). 

There will also be the documentaries THE ART OF EATING: THE LIFE AND APPETITES OF M. F. K. FISHER, which chronicles the life of renowned food writer M. F. K. Fisher, and Sacha Jenkins’ LOUIS ARMSTRONG’S BLACK & BLUES. Both films continue the strong tradition of films about music and food at the Memphis festival.

There is also the Revivals addition of a restoration print of Billy Wilder’s GENTLEMEN PREFER BLONDES introduced by HAPPY HOUR author Marlowe Granados.

For more festival information, visit indiememphis.org/imff22

CENTERPIECE PRESENTATION

THE INSPECTION (Dir. Elegance Bratton)
Having been rejected by his mother for his sexuality, Ellis French (Jeremy Pope) seeks to build a life for himself in the US Marines. Unfortunately for him, he discovers that his peers and supervisors aren't really that supportive of his true self either. 2022, 95 min, Drama

NARRATIVE COMPETITION

DON JUAN (Dir. Serge Bozon)
Laurent who is jilted on his wedding day and subsequently embarks upon a wild quest. 2022, 110 min, Comedy/Drama/Musical 

NARRATIVE SPOTLIGHT

THE LOST KING (Dir. Stephen Frears)
An amateur historian defies the academic establishment in her efforts to find King Richard III's remains, which were lost for over 500 years. 2022, 108 min, Drama

SAINT OMER (Dir. Alice Diop)
Young novelist Rama attends the trial of Laurence Coly, a young woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, the words of the accused and witness testimonies willshake Rama’s convictions and call into question our own judgment. 2022, 122 min, Drama

DOCUMENTARY SPOTLIGHT

THE ART OF EATING: THE LIFE AND APPETITES OF M. F. K. FISHER (Dir. Gregory M. Bezat)
THE ART OF EATING: THE LIFE AND APPETITES OF M. F. K. FISHER is a feature documentary about the exciting life and lasting impact of the intrepid mid-century California food writer M.F.K. Fisher, who elevated cooking from a domestic chore to a critical study of life itself. 2022, 86 min, Documentary 

LOUIS ARMSTRONG’S BLACK & BLUES (Dir. Sacha Jenkins)
Follow the life and legacy of the master and so-called founding father of jazz, America's first pop star, and cultural ambassador. 2022, 104 min, Documentary

REVIVALS

GENTLEMEN PREFER BLONDES (Dir. Howard Hawks) 
Two singers work their way to Paris, enjoying the company of eligible men they meet along the way. Introduced by HAPPY HOUR author Marlowe Granados. 1953, 91 min, Comedy

2022 Indie Memphis Film Festival Lineup Announced

From top left to right: Armageddon Time, Corsage, Mija, Nanny, The ‘Vous, Haxan, Give Me Pitty!, Is That Black Enough For You?!?, One Fine Morning, Jookin’


The 25th Annual Indie Memphis Film Festival Announces Slate, Ft. Elvis Mitchell’s IS THAT BLACK ENOUGH FOR YOU?!? As Closing Night Film, 100th Anniversary of HAXAN w/ Live Score, and More

Indie Memphis Film Festival, presented by Duncan-Williams, Inc. and Duncan-Williams Asset Management, is pleased to announce its 2022 slate. This year marks the 25th Anniversary of the Indie Memphis Film Festival, and this landmark year is commemorated with an intensely varied international lineup of new films, most of which with filmmakers in-person, as well as revival screenings that celebrate Memphis’ rich cultural history, and incredible restorations of film classics. The festival will run from October 19th through 24th on the ground in Memphis, as well as virtually.

As previously announced, this year’s Opening Night Film will be Phil Bertelsen’s THE PICTURE TAKER, chronicling the life of FBI informant and civil rights photographer Ernest Withers; Bertelsen will appear in-person for a Q&A following the screening. The Closing Night Film will be Elvis Mitchell’s IS THAT BLACK ENOUGH FOR YOU?!?, a look at the Black revolution in 1970s cinema, from genre films to social realism, to the making of new auteurs and superstars. Mitchell returns to the festival to present his personal documentary, fresh off the New York Film Festival world premiere. Following the documentary, he will be in conversation with Memphis musician Willie Hall to discuss the Gordon Parks classic film SHAFT.

Other highlights include a 100th Anniversary screening of the landmark 1922 fantasy HAXAN, along with an original live score by Memphis musician Alex Greene. Additional notable titles include James Gray’s star-studded festival favorite ARMAGEDDON TIME, READING RAINBOW doc BUTTERFLY IN THE SKY, a restoration print of the New Wave classic DAISIES, and many, many others. More titles will be revealed in the coming weeks.

“From a donkey to Léa Seydoux, once again I hope that the films in our line-up represent a collection of some of the best films of the year,” said Artistic Director Miriam Bale. “For our anniversary we are looking back at films like THE POOR AND HUNGRY and ANTENNA, which helped make Indie Memphis what it is. And we are also looking at the future of independent film in our competition titles, from filmmakers who are unbelievably uncompromising, sensitive, and imaginative. And, after a travel break, we are thrilled to once again gather most of these exciting filmmakers in Memphis to celebrate the year in film.”

Additional upcoming announcements will include the Centerpiece Presentation film, IndieTalks Panels, the competition film jury, Live Music Lineup, and more.

For more information, visit indiememphis.org/imff22

The full roster of  2022 Indie Memphis Film Festival is below; for more information and to request screeners/press opportunities with filmmakers, please contact Caitlin@CaitlinHughesPR.com.

2022 Indie Memphis Film Festival Slate

OPENING NIGHT

THE PICTURE TAKER (Dir. Phil Bertelsen)
Meet Ernest Withers, civil rights photographer, and FBI informant. THE PICTURE TAKER reveals the man and motives behind the iconic images. With director Phil Bertelsen in person; image courtesy of Withers Family Trust. 2022, 80 min, Documentary

CLOSING NIGHT

IS THAT BLACK ENOUGH FOR YOU?!? (Dir. Elvis Mitchell)
A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Elvis Mitchell and Memphis musician Willie Hall in-person. 2022, 135 min, Documentary
 

Followed by a screening of SHAFT, introduced by Elvis Mitchell and Willie Hall:

SHAFT (Dir. Gordon Parks)
Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter. 100 min, Action

NARRATIVE COMPETITION

ACTUAL PEOPLE (Dir. Kit Zauhar) 
ACTUAL PEOPLE is a simple but effective voyage into the mind of a young woman trying to find herself in a world that has somehow become hostile to those who refuse to find a place within its preconceived standards. 2021, 84 min, Drama/Comedy

OUR FATHER, THE DEVIL (Dir. Ellie Foumbi) 
An African immigrant’s quiet life is upended by the arrival of a charismatic Catholic priest who she reminds her of her troubled past. 2021, 108 min, Thriller

ME LITTLE ME (Dir. Elizabeth Ayiku) 
After an unexpected promotion, Mya, an ambitious young woman struggles to compartmentalize work and relationships while also managing her mental health. 2022, 84 min, Drama

VERY RARE (Dir. Eric Young) 
A young unemployed man and his social media obsessed ex-girlfriend go on a frantic misadventure full of twists and turns and hidden motives to recover his uncle's stolen luxury car. 2021, 106 min, Mystery/ Comedy

DOCUMENTARY COMPETITION

BUTTERFLY IN THE SKY (Dirs. Brett Whitcomb, Bradford Thomason) 
BUTTERFLY IN THE SKY tells the story of the beloved PBS children's series “Reading Rainbow,” its  iconic host LeVar Burton, and the challenges its creators faced in cultivating a love of reading  through television.  2022, 87 min, Documentary

DEREK CHANGES HIS MIND (Dirs. Derek Dabkoski, Ian McClellan, Im Joong Kim) 
34-year-old traumatic brain injury (TBI) survivor Derek Dabkoski enrolls in a radical stem cell study he hopes will greatly change his quality of life and improve his capacities to secure a Green Card for his wife Nadia and help raise their newborn daughter Carmen.  2022, 79 min, Documentary

I AM FRANCE (Dir. Sarah El Attar) 

I AM FRANCE is a feature-length documentary based on interviews of brothers and sisters of victims of police violence.  2022, 97 min, Documentary

OUTTA THE MUCK (Dir. Ira McKinley, Bhawin Suchak)
Told through stories that transcend space and time, OUTTA THE MUCK presents a community, and a family, that resists despair with love, remaining fiercely self-determined, while forging its own unique narrative of Black achievement. 2022, 82 min, Documentary

SAM NOW (Dir. Reed Harkness)
What happens when a boy and his brother go in search of their missing mom? Using twenty years of Super 8 movies, director Reed Harkness asks fascinating questions of creativity, freedom, and trauma. 2022, 85 min, Documentary

SILENT BEAUTY (Dir. Jasmin Mara López)
SILENT BEAUTY is a personal documentary that follows Director Jasmín López as she works to heal from child sexual abuse she endured at the hands of her grandfather, Gilberto, a Baptist minister, almost thirty years ago. 2022, 87 min, Documentary

NARRATIVE SPOTLIGHT

AFTERSUN (Dir. Charlotte Wells) 
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. 2022, 101 min, Drama

ARMAGEDDON TIME (Dir. James Gray) 
A coming-of-age story about the strength of family, the complexity of friendship, and the generational pursuit of the American dream starring Anthony Hopkins, Anne Hathaway and Jeremy Strong. 2022, 114 min, Drama

BABYSITTER (Dir. Monia Chokri) - Afterdark
After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free himself from sexism and misogyny. He and his girlfriend hire a mysterious and liberated babysitter to help shake things up. 2022, 87 min, Comedy

THE CIVIL DEAD (Dir. Clay Tatum)
A misanthropic, struggling photographer just wants to watch TV and eat candy while his wife is out of town, but when a desperate old pal resurfaces, his plans are thwarted, with spooky consequences. 2022, 103 min, Comedy

CORSAGE (Dir. Marie Kreutzer)
Vicky Krieps is mesmerizing as Empress Elisabeth of Austria in this bold, revisionist Cannes prize winner that uncinches the Sissi legend forever. 2022, 114 min, Drama

ENYS MAN (Dir. Mark Jenkin) - Afterdark 
Set in 1973 on an uninhabited island off the Cornish coast, a wildlife volunteer's daily observations of a rare flower turn into a metaphysical journey that forces her as well as the viewer to question what is real and what is nightmare. 2022, 90 min,  Thriller

EO (Dir. Jerzy Skolimowski)
A donkey wanders around Europe, as it experiences the best and worst mankind has to offer. 2022, 77 min, Drama

GIVE ME PITY! (Dir. Amanda Kramer)
Sissy St. Claire graces the small screen for her first ever television special, an evening full of music and laughter, glamor and entertainment. But Sissy's live event quickly begins to curdle into a psychedelic nightmare. 2022, 80 min, Comedy/Musical/Thriller

HAPPER’S COMET (Dir. Tyler Taormina)
A midnight mosaic of a suburban town steeped in alienation. While peering into the late night moments of many residents, we notice that some of them quietly escape into the dark of night via rollerblades. 2022, 62 min, Experimental Drama

NANNY (Dir. Nikyatu Jusu)
Immigrant nanny Aisha, piecing together a new life in New York City while caring for the child of an Upper East Side family, is forced to confront a concealed truth that threatens to shatter her precarious American Dream. 2022, 97 min, Drama

ONE FINE MORNING (Dir. Mia Hansen-Løve)
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into a friend who, although being in a relationship, embarks on an affair. 2022, 112 min, Drama/Romance

WILL-’O-THE-WISP (Dir. João Pedro Rodrigues)
A Portuguese musical romantic comedy following the story of Alfredo, the crown prince of Portugal whose passion for the environment leads him to become a fireman, where he falls in love with colleague Afonso. 2022, 67 min, Musical/Comedy

DOCUMENTARY SPOTLIGHT

MEET ME IN THE BATHROOM (Dirs. Will Lovelace, Dylan Southern) - Sounds
An immersive journey through the New York music scene of the early 2000s. Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world. 2022, 105 min, Documentary

THE RETURN OF TANYA TUCKER (Dir. Kathlyn Horan) - Sounds
Trailblazing, hell-raising country music legend Tanya Tucker defied the standards of how a woman in country music was supposed to behave. Decades after Tanya slipped from the spotlight, rising Americana music star Brandi Carlile takes it upon herself to write an entire album for her hero based on Tanya’s extraordinary life, spurring the greatest comeback in country music history. 2022, 108 min, Documentary

REVIVALS & RESTORATIONS

DAISIES (Dir. Věra Chytilová)
Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them. 1966, 76 min, Comedy

PAPER MOON (Dir. Peter Bogdanovich)
During the Great Depression, a con man finds himself saddled with a young girl—who may or may not be his daughter—and the two forge an unlikely partnership. 1973, 102 min, Drama

SHAFT (Dir. Gordon Parks)
Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter. With introduction by Elvis Mitchell and Willie Hall. 100 min, Action

SPECIAL EVENTS

ANTENNA (Dir. Chris McCoy)
The 2012 Indie Memphis Film Festival award-winning documentary from Chris McCoy and Laura Jean Hocking about Memphis punk rock and the club that changed the city.  2012, 99 min, Documentary

HAXAN 100th Anniversary with Live Original Score by Alex Greene (Dir. Edla Hansen)
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen’s silent, fictionalized documentary from 1922 explores the evolution of witchcraft, from its pagan roots to its confusion with hysteria in Eastern Europe. 1922, 77 min, Documentary/Fantasy

THE POOR & HUNGRY (Dir. Craig Brewer)
A Memphis car thief falls in love with one of his victims, an attractive cellist in this 2000 Indie Memphis Film Festival Award Winner/feature debut from Craig Brewer (HUSTLE AND FLOW). Craig Brewer in person 2000, 118 min, Drama

SOUNDS

THE JOB OF SONGS (Dir. Lila Schmitz)
On the west coast of Ireland, a community of musicians seek joy and connection through music as they face a modernizing world. 2022, 74 min, Documentary

KUMINA QUEEN (Dir. Nyasha Laing)
Imogene “Queenie” Kennedy was a contemporary priestess in post-colonial Jamaica who catapulted her African spiritual practice into renown. But after centuries of erasure, what remains of the dance between the living and the dead? 2022, 58 min, Documentary

MIJA (Dir. Isabel Castro)
MIJA chronicles the emotional and complex stories of Doris Muñoz and Jacks Haupt, the daughters of undocumented immigrants from Mexico, navigating their careers in the music industry. For these two, "making it" isn't just a dream, it's a necessity. 2022, 85 min, Documentary

ROOTS OF FIRE (Dirs. Abby Berendt Lavoi, Jeremey Lavoi)
The battle to revive dying tradition comes to life through the young musicians of Southwest Louisiana in this powerful musical documentary. 2022, 85 min, Documentary

HOMETOWNER COMPETITION 

CXFFEEBLACK TO AFRICA (Dir. Andrew Puccio)
A teacher turned hip hop artist is on a mission to reclaim a stolen fruit, coffee, from his motherland of Africa. 2022, 43 min, Documentary

JOOKIN (Dir. Howard Bell IV)
Charlene and her son are forced to relocate to Memphis with her estranged sister. Tensions quickly escalate between the sisters; while Quincy, becomes immersed in the city's gritty lifestyle.
2022, 75 min, Drama

THE RECYCLE KING (Dir. Julian Harper)
THE RECYCLE KING is a story about Paul Thomas, a fashion designer who takes recycled and discarded material to create a wide variety of unique fashion pieces. 2022, 48 min, Documentary

SHOW BUSINESS IS MY LIFE – BUT I CAN’T PROVE IT (Dir. GB Shannon)
SHOW BUSINESS IS MY LIFE follows comedian Gary Mule Deer and his 60 year career making people laugh. 2022, 90 min, Documentary

THE ‘VOUS (Dir. Jack Porter Lofton)
Celebrating its 70th year, the world-famous Memphis BBQ Institution and celebrity attraction The Rendezvous faces unprecedented change as the legendary waiters retire and the “family” business moves into a third generation. 2022, 82 min, Documentary

HOMETOWNER SPOTLIGHT

50 FOR DA CITY (Dir. Michael Blevins)
Documentary about Zach Randolph's time with the Memphis Grizzlies.
2022, 72 min, Documentary

FACING DOWN STORMS: MEMPHIS AND THE MAKING OF IDA B. STORMS (Dirs. Daphene R. McFerren, Nathaniel Ball)
FACING DOWN STORMS: MEMPHIS AND THE MAKING OF IDA B. STORMS explores how the unique cultural and social atmosphere of late 19th century Memphis, Tenn. indelibly shaped Ida B. Wells as a journalist and activist. 2022, 90 min, Documentary

READY FIRE AIM (Dir. Melissa Sweazy)
The story of Kemmons Wilson, the country-boy genius who founded Holiday Inn and transformed the way the world travels. 2022, 70 min

UNITED FRONT - THE PEOPLE'S CONVENTION (Dir. Chuck O'Bannon)
The story of the political convention in Memphis that selected a consensus candidate that led to the election of the first African American Mayor of Memphis, TN, Dr. W.W. Herenton. 2022, 67 min, Documentary

DEPARTURES

DOS ESTACIONES (Dir. Juan Pablo González)
Winner of a Special Jury Prize at the Sundance Film Festival, DOS ESTACIONES follows iron-willed businesswoman María García (Teresa Sánchez), the owner of Dos Estaciones, a once-majestic tequila factory, as she is forced to do everything she can to save her community's primary economy and source of pride. 2022, 95 min, Drama

ELEPHANT (Dir. Maria Judice)
A woman witnesses a murder of a young boy by a police officer and suffers from a prolonged mental breakdown that renders her incapable of leaving her apartment. 2022, 96 min, Drama

THIS HOUSE (Dir. Miryam Charles)
Bridgeport, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. 2022, 75 min, Drama

A WOMAN ESCAPES (Dirs. Burak Çevik, Blake Williams, Sofia Bohdanowicz)
While grieving the loss of her friend, a woman living alone in Paris begins an unusual correspondence with two filmmakers. 2022, 81 min, Drama

Indie Memphis Appoints Kimel Fryer as New Executive Director

Indie Memphis Executive Director Kimel Fryer / Photo by Trakela Smalls

Indie Memphis is pleased to announce filmmaker and native Memphian Kimel Fryer as the organization’s new Executive Director, effective October 3rd of this year. Fryer will also oversee this year’s Indie Memphis Film Festival, running from October 19th - 24th, both virtually and on the ground in Memphis, Tennessee.

Indie Memphis is pleased to announce filmmaker and native Memphian Kimel Fryer as the organization’s new Executive Director, effective October 3rd of this year. Fryer will also oversee this year’s Indie Memphis Film Festival, running from October 19th - 24th, both virtually and on the ground in Memphis, Tennessee. 

“As Indie Memphis completes its 25th year, I am honored and excited to come on board as Executive Director,” says Fryer. “With my strong financial background and my passion for independent films and filmmakers, I look forward to leading our organization as we continue our legacy and strengthen the independent film and production environment in Memphis moving forward.”

"It gives me great pleasure to announce Kimel Fryer as the new Executive Director of Indie Memphis," said Anton Mack, Board President. "Kimel possesses an exciting passion for independent film and an unwavering devotion to independent artists along with her own talents as an executive, mentor and filmmaker. Her authenticity, experience and vision will serve her well in leading Indie Memphis forward into the next quarter century."

Fryer comes to Indie Memphis after working in corporate finance, in addition to being a filmmaker. Most recently, she supported the Healthcare Business Unit as a Senior Financial Analyst at FedEx Supply Chain in their new downtown Memphis location. A multi-hyphenate producer-writer-director, Fryer most recently operated as a producer of the feature film, LIFE AIN’T LIKE THE MOVIES, which is currently on the Amazon and Tubi networks. 

Indie Memphis Artistic Director Miriam Bale adds, “We are so pleased to begin this new era of Indie Memphis under Kimel Fryer, a film producer who has shown strong leadership, organization, sensitivity, and enormous curiosity in all of our previous involvements with her.”

The 2022 Indie Memphis Film Festival will run from October 19th through 24th on the ground in Memphis and online. The full festival program will be announced in the coming weeks. More info is available at https://www.indiememphis.org/imff22.

For Press and Media Inquiries, Please Contact Caitlin@CaitlinHughesPR.com


About Kimel Fryer

Kimel Fryer comes to Indie Memphis after working in corporate finance for nine years. Most recently, she supported the Healthcare Business Unit as a Senior Financial Analyst at FedEx Supply Chain in their new downtown Memphis location. She is also a multi-hyphenate producer-writer-director. Being involved in creative spaces since childhood, Fryer most recently operated as a producer of the feature film, LIFE AIN’T LIKE THE MOVIES, which is currently on the Amazon and Tubi networks.  

Fryer is a proud member of Alpha Kappa Alpha Sorority, Inc., Women of Color Unite, Women of Color Filmmakers and serves on the UTK Law Alumni Council. Additionally, she mentored students through the Indie Memphis CrewUp Youth Filmmaking Mentorship in 2022.

Fryer is a Memphis native who graduated with a B.B.A. in Finance from the University of Memphis and a J.D. & M.B.A. degree from the University of Tennessee. She has two busy little boys, Michael and Kameron, who run her household but compensate her with cuddles when she’s not working.

Interview with SOUL KIDS Director Hugo Sobelman

Recently, Indie Memphis Artistic Director Miriam Bale sat down with director Hugo Sobelman to discuss his new film, SOUL KIDS — making its Memphis premiere March 26 at Crosstown Theater! The film offers "a look behind the scenes at the students who are continuing this legacy of soul music" (Pat Mitchell, SMA Executive Director) at Stax Music Academy. Following the screening, the event will feature an in-person Q&A with Director Hugo Sobelman and subjects of the film -- PLUS a special performance from 926, the Stax Music Academy Alumni Band! More info and tickets available HERE.

SOUL KIDS DIRECTOR
HUGO SOBELMAN

Miriam Bale 
So, Hugo, tell me, how did you become interested in Memphis? 

Hugo Sobelman 
Oh, I'm not sure. Obviously, I became interested in Memphis. But that wasn't the first goal I had in mind,. I made a vacation trip with a friend of mine back in 2016. And, we just took a car and went from New Orleans to Chicago and back and forth. The goal was just to listen to music, discover jazz, blues, gospel, soul, funk. We wanted to go all the way and just stop in bars and listen to music. That was the main goal. And we made so many encounters along the way. I had my camera with me, like I always do. And I kept interviewing some, a lot of people, families, children, grandparents that had a close relationship with music. 

And every time, what kept coming back was that music was such a great factor for talking about greater things, bigger things, social issues, for instance. And I'm 34 years old; I grew up with hip hop music. As much as I got interested about it, I wanted to learn what it came from. And realizing that what I love the most about it, about music, was the way it kept talking about issues that weren't talked [about] elsewhere. I learned so much with music. I feel like hip hop was part of my education. And so I kept on thinking about those kinds of things. 

We met so many people, so many different people who had a close relationship with music, the same way it touched me back in France. I came back to France, I had a few shots, I had all these interviews. And I asked my producer, okay, would you, would you be willing to give me some money to go back over there with some equipment with a camera operator, sound engineer, and just give us a few weeks, and I'm sure we can find the right place where everything I just talked about is exists, and it's living. It's good. You can feel it, you can even touch it in some way.

MB: And you were able to get the funding on that faith? 

HS: Yeah, they were able to find, not so much salaries or anything, but just enough money so we could get there with some equipment. For like five weeks we scoured the whole Mississippi Delta, a lot of it was about blues at that time. It was about Mississippi because that's where I made the most encounters. And, Chandra Williams, who was in the film [Soul Kids], Zelena Ratliff, others, a lot of blues men, blues women in Clarksdale. And we started looking at schools, musical schools. And the rest is history. 

MB: That's so interesting. You talked a lot about music and your connection to music, but the film ends up being as much about race in America at this moment as music, if not more so. So. This is a delicate question, but how do you as a white man from Europe handle tackling race in America?

HS: Not so easily, first of all. Yeah, that's the reality of it. I'm not sure I realized how, how important that was when I made the film. That was my first film. And I'm still thinking a lot about all those things. Of course, my position, how legitimate I am. Or I don't feel like I'm telling anything, though, giving my point of view about what I saw. But every word that is said in this film doesn't belong to me. I gave a mic, I gave an opportunity for everyone I met at Stax to have a platform and talk about what they wanted. 

I was more afraid about trying to avoid it, when it's so real, and present in the school. Every day, in every class, there is some kind of bridge made between music and social issues, racial issues. I thought that it would, to me, it would have been even more tricky to avoid it. And I don't even feel like I was pointing to America when I made this film. Because when I came back to France, I saw the same thing. Yeah. And my next film is about the exact same thing in Paris,

MB: In Paris? 

HS: Yeah. Meaning that it goes beyond my view about America. And trying to make a film about Black Lives Matter, that wasn't my goal. But I found when you were in this classroom, when everything is talked about, that's the beauty of it. Avoiding it would have been horrible to me, like saying, "Okay, I just want to see one part of you, please don't talk about this.”

MB: You said, this is so much about education for you? 

HS: Yeah, to me [it is] one of the main goals of the film. I've had this conversation after screenings in France, at a lot of Q&As people are asking me, "OK, so it's really complicated in the US with all those race problems." And I'm like, "This is what you got from the film? This is the first thing you get from the film?" Like, in France, the way we're taught about music or art, and the way it's perceived is either: it's success or it's failure.

MB: It's art removed from life?

HS: Yeah, absolutely. And from a horizontal dialogue. What I've learned at Stax is how important it is. Kortland has this scene where he talks to the kids saying, trying to build down what is writing a song, like how easy it can be, how natural it can be. And to me, he doesn't even talk as a teacher. And to me, he’s  just an artist with ten more years of experience talking with other artists, not looking down on them, instead looking at them at the same level. And to me, if a French audience, a French white audience can understand those kinds of things, and understand how art could be a bridge to so many things. 

What I hope is that the French audience, for instance, can see the film can ask the question, okay, how can we take something about the way education is being brought at STAX and how we can not only teach the kids, for instance, to play music, but to learn how to position themselves as an artist, as a musician in society in general, and learn what kind of impact, what kind of platform you can build for yourself.

MB: Oh, I see. You would like to see art education in France be more…

HS: Horizontal, like cross. When in France, it's like if you make music, you can't act. Right? If you write, you can't direct. And that's one example.

MB: I see. It's very hierarchical.

HS: Pyramid. Yeah. And that's a mistake. I think it's a mistake. And especially when you, when you talk to a younger generation that aspires to do great things and want to work. Everything is open, and the way you can educate yourself while having fun with it is a great lesson. I mean, this is the best way.

MB: And become a better person and citizen. 

HS: Yeah, exactly. And that's what's gonna help you become a better musician also.

MB: Very true. A visual choice you did that I'm interested in is the sky. There are a lot of shots of where there is a lot of open sky. What was that choice about?

HS: The sky is about...the sky.. First of all, we never wanted to look down on them with the camera. It was always at their level, or…  [gestures]

MB: Or below. 

HS: Yeah, because we wanted to give the feel that they're powerful. And they are like, the way I saw them wasn't like, "I'm a kid, I'm looking at you." I was really looking at them like this. You know, mentally even though they were shorter than me––not so much shorter than me because I'm short. Spiritually, I was looking at them like this, and I wanted the viewer to see, to see them like this. So, that's the first thing and the sky above. Sky's the limit. You have so much room to grow because you're allowing yourself to have that space above your head.

That was kind of a thought that we had with our crew one night. You know, it was like they could, they could fly higher. Like they could have wings. It's kind of mushy, what I'm saying right now, but that's how we felt. Because it's so much energy. Like, you have to imagine spending three hours every day over there and going home after and singing and having the same energy. They gave us so much energy that we're thinking about it constantly. Like how can we give them power? Visually, how can we empower them? And the sky above their head was kind of our answer about this.

SOUL KIDS (Memphis Premiere + Performance)
📅 Saturday, March 26 @ 7:00PM
📍 Crosstown Theater
🎟️: Tickets on sale HERE

The 24th Annual Indie Memphis Film Festival Announces 2021 Award-Winners, Including Nana Mensah’s QUEEN OF GLORY + Nadia Szold’s LARRY FLYNT FOR PRESIDENT

Image from Nana Mensah’s QUEEN OF GLORY

(October 27, 2021 | Memphis, TN) Indie Memphis Film Festival, presented by Duncan-Williams, Inc., is pleased to announce this year’s award-winners. The ceremony was held virtually on the evening of October 26th and awards were presented by festival staff, as well as members of the awards juries. The 2021 festival screened over 170 feature films, shorts, and music videos, with most screenings followed by filmmaker Q&As. 

Jury Award highlights include Best Narrative Feature for Nana Mensah’s QUEEN OF GLORY (winner of $1K cash prize), Best Documentary Feature for Nadia Szold’s LARRY FLYNT FOR PRESIDENT  (winner of $1K cash prize), Best Hometowner Feature for Zachary Barr and Peter Mortimer’s REEL ROCK, BLACK ICE (winner of $1K cash prize), Best Departures Feature for Rhayne Vermette’s STE. ANNE (winner of $500 cash prize), and Best Sounds Feature for Celeste Bell + Paul Sng’s POLY STYRENE: I AM A CLICHE (winner of $500 cash prize), among others. 

The festival also awarded two yet-to-be-produced short films with Indie Grant prizes: “I Am” (Dir. Jessica Chaney) and “Soil and Clay” (Dir. Emmanuel Amido). These films were chosen by a jury and were each awarded with a $15K total grant ($7.5K cash, $7.5K in-kind filmmaking services). The recipients applied with a project idea and these funds were granted to them to produce their short film, which we hope to see at a future festival.

The Festival Awards, decided by Indie Memphis Festival staff, include the Ron Tibbett Excellence in Filmmaking Award for ONE OF OURS (Dir. Yasmine Mathurin) and the Craig Brewer Emerging Filmmaker Award for FERNY & LUCA (Dir. Andrew Infante), among others. 

Finally, the Audience Awards, tallied from audience ballots, went to QUEEN OF GLORY (Dir. Nana Mensah) for Narrative Feature, LARRY FLYNT FOR PRESIDENT (Dir. Nadia Szold) for Documentary Feature, ELDER’S CORNER (Dir. Siji Awoyinka) for Sounds Feature, NORTH BY CURRENT (Dir. Angelo Madsen Minax) for Departures, and REEL ROCK: BLACK ICE (Dirs. Zachary Barr + Peter Mortimer) for Hometowner Feature, among others. 

Missed any of the screenings? There will be virtual encores added for a limited time for the following winning titles: THE PILL, QUEEN OF GLORY (in the film’s first time screening virtually), STE. ANNE, ONE OF OURS, and LARRY FLYNT FOR PRESIDENT. Click on each of the virtual screening links on the titles to view the films.

For more information, please visit http://indiememphis.com/.

The full listing of 2021 Indie Memphis Film Festival award-winners is included below; for more information and to request screeners/press opportunities, please contact Caitlin@CaitlinHughesPR.com.


2021 Indie Memphis Film Festival Award-Winners

Winner by Category

Jury Awards

Narrative Features

Awarded by Jury Members Bandamlak Yimenu, Carlos Valladares + Caroline Golum

  • Best Narrative Feature, QUEEN OF GLORY (Dir. Nana Mensah) - $1000 Cash Prize

  • Duncan Williams Best Screenplay Award, THE PILL (Dir. Franco Clarke) - $1000 Cash Prize

  • Special Jury Mention to Narrative Feature, Actors Anna Cobb (WE'RE ALL GOING TO THE WORLD'S FAIR) + Lauren Kelisha Muller (FERNY & LUCA)


Documentary Features

Awarded by Jury Members Simran Hans, Monica Castillo + Devika Girish

(Presented by Classic American Hardwoods)

  • Best Documentary Feature, LARRY FLYNT FOR PRESIDENT (Dir. Nadia Szold) - $1,000 Cash Prize Presented by Classic American Hardwoods


Hometowner

Awarded by Jury Members Yoshi James, Annie Berman + Sheila O’Malley

  • Best Hometowner Feature, REEL ROCK: BLACK ICE (Dir. Zachary Barr, Peter Mortimer) - $1000 Cash Prize

  • Best Hometowner Narrative Short, “The Devil Will Run” (Dir. Noah Glenn) - $500 Cash Prize

  • Best Hometowner Documentary Short, “Nuestra” (Dir. Aaron Baggett) - $500 Cash Prize

  • Special Jury Mention, Hometowner Narrative Short, “Main Street” (Dir. Joshua Woodcock)

  • Special Jury Mention, Hometowner Documentary Short, “Letter to My Son” (Dirs. Brittany Butler + Joshua Woodcock)


Departures

Awarded by Jury Members Blake Williams + Mackenzie Lukenbill

  • Best Departures Feature, STE. ANNE (Dir. Rhayne Vermette) - $500 Cash Prize

  • Best Departures Short, “A Few Things I'm Beginning to Understand” by Xenia Matthews

Sounds

Awarded by Jury Members Rōgan Graham + Toby Leonard

  • Best Sounds Feature, POLY STYRENE: I AM A CLICHE (Dirs. Celeste Bell + Paul Sng) - $500 Cash Prize

  • Best National Music Video, “Hideaway” by Nîm (Dir. Etienne Fu-Le Saulnier)

  • Best Hometowner Music Video, “Brain Fluid” by Don Lifted (Dirs. Nubia Yasin + Joshua Cannon)


Shorts

Awarded by Jury Members Opal Hope Bennett + Martha Kunda

  • Best Documentary Short, “You Can’t Stop Spirit” (Dir. Vashni Korin) - $500 Cash Prize

  • Best Narrative Short, “Cousins,” (Dir. Mandy Marcus) - $500 Cash Prize

  • Special Jury Mention, Documentary Short “Rebyrth” (Dir. Cydney Tucker)

  • Special Jury Mention for Actor Felix Alexis in “Last Summer on Bainbridge St”

  • Special Jury Mention for the Main Participant, Brandi,  in “A Fine Girl” (Dir. Darcy McKinnon, BIliana Grozdanova)

IndieGrants

Awarded by Jury Members Kolby Ari, Deni Cheng + Aaron Hunt

  • “I Am” (Dir. Jessica Chaney) - $15K Grant ($7.5K cash, $7.5K In-Kind Filmmaking Services)

  • “Soil and Clay” (Dir. Emmanuel Amido) - $15K Grant ($7.5K cash, $7.5K In-Kind Filmmaking Services)


Poster Design

Awarded by Jury Members Eso Tolson, Lexi Perkins, + Gabrielle Brooks

  • Jury Award for Best Poster Design, JUJU STORIES (Dirs. Michael Omonua, Abba Makama, + C.J. Obasi)

Festival Awards

Ron Tibbett Excellence in Filmmaking 

ONE OF OURS (Dir. Yasmine Mathurin)


Craig Brewer Emerging Filmmaker

FERNY & LUCA (Dir. Andrew Infante)


Vision Award

Mark Jones


Indie Award

Jason Thibodeaux


Best After Dark Short

“I’m So Sorry” by Chester Toye - $500 Cash Prize

Audience Awards

Narrative Feature

QUEEN OF GLORY (Dir. Nana Mensah)


Documentary Feature

LARRY FLYNT FOR PRESIDENT (Dir. Nadia Szold)


Sounds Feature

ELDER’S CORNER (Dir. Siji Awoyinka)


Departures

NORTH BY CURRENT (Dir. Angelo Madsen Minax)


Hometowner Feature

REEL ROCK: BLACK ICE (Dirs. Zachary Barr + Peter Mortimer)


National Narrative Short

“Desperate LA” (Dir. Jeanetta Rich)


National Doc Short

“You Can't Stop Spirit” (Dir. Vashni Korin)


Departures Short

“A Few Things I'm Beginning to Understand” (Dir. Xenia Matthews)


Hometowner Narrative Short

“The Devil Will Run” (Dir. Noah Glenn)


Hometowner Documentary Short

“Firebird Rising” (Dirs. David Roseberry + Jordan Danelz)


Hometowner Music Video

“Buzzsaw Kick” by Idi X Teco (Dirs: Jordan Danelz + Sharrika Evans)


National Music Video

“Fire” by Fimone (Dir. Fimone)

Sundance Film Festival Returns to Memphis in 2022

 
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Sundance Institute Announces Satellite Screen Partners for the 2022 Sundance Film Festival 

  Indie Memphis named as one of Seven Satellite Screens

[Park City, UT] — The nonprofit Sundance Institute announced today the 2022 Sundance Film Festival Satellite Screen partners, 7 independently owned arthouse cinemas across the United States that have been selected, and each will connect the Festival and its artists directly with local audiences. This year the Festival will take place not only in-person in its home state of Utah and online, but across seven other different states -- California, Kansas, Maryland, Massachusetts, North Carolina, Tennessee, and Washington -- at its partner theaters. The 2022 Sundance Film Festival takes place January 20 - 30. 

The selected Satellite Screen theaters are:

Each Satellite Screen will show a specially-curated selection from the Festival’s official program during the Festival’s closing weekend, Friday, January 28, through Sunday, January 30, 2022. The selections will speak to the breadth and diversity of the multifaceted official program, which will be announced later this year. Ticket details and on sale dates are available through each individual theater's box office.

“Regional cinemas are a crucial part of independent film and are vital centers of discovery, conversation, and convening in their communities. We are looking forward to partnering with each of them to do what we all love: watch and talk about films together,” said Gina Duncan, Producing Director, Sundance Institute.

Launched at the 2021 Sundance Film Festival, Satellite Screens are a partnership between Sundance Institute and regional cinemas and arts organizations that brings the Festival experience to communities across the country. Satellite Screens was designed with the intention of connecting audiences with independent films and filmmakers and engaging with artist communities across the country. 

Sundance Film Festival requires all participants to be fully vaccinated to participate in the Festival in-person in Utah and to wear masks when inside any venues. Each Satellite Screen theater partner will be following these protocols as well as their own additional COVID-19 health policies. 

The Festival will be taking place in Utah (Park City, Salt Lake City, and the Sundance Resort), as well as online. For more information, please follow the Festival news at Festival.Sundance.org and follow Indie Memphis on social media!


Indie Memphis Announces Award-Recipients from the 2021 Indie Memphis Youth Film Fest

Pictured Winners: Graham Whitworth, THE LANTERN BEARER, ATTENTION DEFICIT, TOUCH, HOME (Clockwise from Top)

Pictured Winners: Graham Whitworth, THE LANTERN BEARER, ATTENTION DEFICIT, TOUCH, HOME (Clockwise from Top)

(September 19, 2021 | Memphis, TN) Indie Memphis is pleased to announce the award-recipients from the 6th Annual Youth Film Fest. The ceremony was held virtually during the afternoon of September 19, following screenings both online and in person of 37 student-made films over the weekend.

“We have always been fortunate to have great, up-and-coming filmmakers in our Youth Film Fest. But this year felt particularly special because of the obvious challenges that were presented to these students over the last year plus,’ said Director of Artist Development & Youth Film Joseph Carr.  “It’s already hard enough to make a good film, but for these filmmakers to overcome everything that the world has thrown at them and remain committed to their projects is so deeply inspiring. The future of Memphis filmmaking, and beyond, is in great hands.”

Awards were presented by festival staff -- as well Janay Kelley, 2018 and 2019 Grand Jury Prize and Production Package Recipient. During the presentation, Janay took a moment to address this year’s featured filmmakers: “Receiving the production package award impacted how I saw myself as a creator and as a filmmaker. One thing that I would like to say to you all [youth filmmakers] is that every single last one of you is a filmmaker NOW. You don’t have to wait until you get a big expensive camera, many of you have shot on your phones, you are a filmmaker NOW.

“Regardless if you’ve won an award or know all the filmmaking jargon, you will become an even better filmmaker in the future. As you build towards your artistic future make sure that you are catering and nurturing yourself as a person. When I first started making my films I was trying to make things that I thought other people wanted to see and not the films that I wanted to make. So make sure that every time you are making art, that you are essentially doing it for yourself and that you are putting out the stories that you want to put out. These are the things that you are giving the world so treat them as a gift because you all are a gift.”

This year’s jury awards were selected by Jon-Carlos Evans (Berlin-based filmmaker), Dan Hudson (Executive Director - NFFTY), and Kiwi Lanier (Sidewalk Film Center + Cinema). On this year's Memphis Youth Jury Award Recipient Paul Coffiled, ”we [the jury] saw a few films from him that we really liked, and one film in particular [THE LANTERN BEARER],” said Hudsom.” We’re really excited to see what he does next.” Paul also won the CrewUp Mentorship Audience Award alongside his fellow mentees Asher Crouch and Nyx Love, through the guidance of their mentor Joshua Cannon.

Among this year’s winners is filmmaker Graham Whitworth, who received the VIA Productions sponsored Production Package award (valued at $5K)Graham, a 2021 graduate of White Station High School, is one of the more prolific young filmmakers with three different  projects screening at the Youth Film Fest.  His awarded project, BURNING BRIDGES, was chosen by former Youth Film Fest winners turned jurors, Janay Kelley and Vivian Gray, from a number of applications. Graham will now receive hands-on professional guidance and crew support from VIA Productions and Indie Memphis for his next short film project.

Full list of the 2021 Indie Memphis Youth Film Fest award-winners is included below.


2021 Indie Memphis Youth Film Fest Award-Recipients


Jury Awards

Awarded by Jon-Carlos Evans (filmmaker), Dan Hudson (Executive Director - NFFTY), and Kiwi Lanier (Sidewalk Film Center + Cinema)

  • Memphis Competition Jury Award ($500): The Lantern Bearer by Paul Coffield

  • CrewUp Jury Award ($600): Attention Deficit by Rachel Ellis, Sam McElroy, Jacobian Taylor, with Mentor Robert Bear

  • $5K Production Package Award sponsored by VIA Productions: Graham Whitworth for his upcoming project, Burning Bridges

  • Special Jury Award ($250): Touch by Georgia Carls


Audience Awards

  • Memphis Youth Audience Award ($300): Touch by Georgia Carls

  • CrewUp Mentorship Audience Award ($300): Navesmire by Asher Crouch, Paul Coffield, and Nyx Love, with Mentor Joshua Cannon

  • National Youth Audience Award ($300): Home by Michelle Saguinsin


Staff Awards

  • Rising Filmmaker Award: Anaya Murray (The Pen Pal)

  • Indie Youth Spirit Award: Ethan Torres (Crumbling Down)


Media Contacts

Director of Artist Development & Youth Film
Joseph Carr
joseph@indiememphis.com

The 24th Annual Indie Memphis Film Festival Announces Full Slate, Ft. Sean Baker’s RED ROCKET as Opening Night Film, World Premieres of FERNY & LUCA and BUNKER, and More

(September 14, 2021 | Memphis, TN) Indie Memphis Film Festival, presented by Duncan Williams, Inc., is pleased to announce the full slate of films for its 2021 incarnation, spanning from October 20th - 25th, 2021. This year’s festival promises to be a very exciting and wildly varied one, featuring films ranging from new discoveries to beloved classics, from festival hits to experimental wonders, and everything in-between. 

“I am incredibly excited by what we are offering this year with the festival,“ says Indie Memphis Executive Director Knox Shelton, “The programming is stellar and, in terms of how we've planned the festival, we hope that we have found ways for people to celebrate independent filmmaking based on their comfort level. We understand that there is no perfect way to do this, but we've taken steps to ensure the health and safety of our filmmakers, attendees, volunteers, and staff.”

In the quest to reach a large audience while taking staunch COVID-19 precautions, this year’s festival will be a hybrid of online and in-person screenings and events. For in-person Memphis screenings and events, proof of COVID-19 vaccine is required for all staff, volunteers, contractors, and attendees and masks are required at all times indoors. Venues for screenings are now focused on larger theaters to better accommodate social-distanced seating; these include Crosstown Theater, The Block Party will be delayed until a year in which we can better protect the health of our attendees, partners, and staff. Circuit Playhouse, Playhouse on the Square, and the Malco Summer Drive-In. Festival parties will be limited to outdoor celebrations on Opening and Closing Night.

The 2021 festival features work from up-and-coming filmmakers, as well as festival hits such as Jonas Carpignano’s A CHIARA, Jane Schoenbrun’s WE’RE ALL GOING TO THE WORLD’S FAIR, Penny Lane’s LISTENING TO KENNY G, Céline Sciamma’s PETITE MAMAN, and many more. 

The festival also features exciting premieres, such as the World Premiere of Andrew Infante’s FERNY & LUCA. The film is a look into the on-and-off relationship between Ferny, a sweet and naive pretty boy, and Luca, a rough and tumble disco queen, who is more concerned with chasing her dreams than chasing boys. There’s also the World Premiere of Jenny Perlin’s BUNKER, a documentary that investigates the lonely lives of American men who have decided to live in decommissioned military bunkers and nuclear missile silos, and follows the process of building and selling these structures to the wealthy and not-so-wealthy alike.

The Opening Night film is Sean Baker’s Cannes favorite RED ROCKET, starring Simon Rex as a pornstar who returns to his Texas hometown that barely tolerates him, the Centerpiece Presentation is Ryûsuke Hamaguchi’s DRIVE MY CAR, and the Closing Night is Pablo Larrain’s SPENCER. Some additional standout titles include Robert Greene’s PROCESSION, a documentary about a group of survivors of sexual abuse by Catholic priests battle for justice, and Rhayne Vermette’s STE. ANNE, a drama that traces an allegorical reclamation of land through personal, symbolic and historical sites.

“We’re honored to be introducing these titles to Memphis audiences,” said Indie Memphis Artistic Director Miriam Bale. “I’m confident many of these are classics that will be talked about for a long time to come. We aim to have a collection of films that is winnowed down to the best of year, and I think this line-up reflects that.” 

The festival continues to feature live music performed in the theaters before every screening. The Black Creators Forum also returns for a fourth year, this time in a hybrid format, both online and with an outdoor in-person component. This festival programming continues to reflect diversity in all areas, with a special focus on films from the African Diaspora and Africa. Indie Memphis is privileged to present the North American premiere of JUJU STORIES, an anthology film from the Nigerian new wave cinema collective known as Surreal16, after its World Premiere at Locarno.

Additional upcoming announcements will include the Black Creators Forum program, virtual IndieTalks Panels, Live Music Lineup, and more.

The 2021 slate was unveiled publicly on the evening of Tuesday, September 14th via Zoom. For more information, please visit http://indiememphis.com/.

The full roster of  2021 Indie Memphis Film Festival is below; for more information and to request screeners/press opportunities with filmmakers, please contact Caitlin@CaitlinHughesPR.com.


2021 Indie Memphis Film Festival Slate

Alphabetical by Category

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OPENING NIGHT

RED ROCKET (Dir. Sean Baker)

The audacious new film from writer-director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny, raw, and humane portrait of a uniquely American hustler and a hometown that barely tolerates him.

2021, 128 min, Drama, Theater

 
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CENTERPIECE

DRIVE MY CAR (Dir. Ryûsuke Hamaguchi)

Adapted from a Haruki Murakami short story in which an aging actor can no longer drive, so he hires a quiet 20-year-old girl as his chauffeur. 

2021, 179 min, Drama, Theater

 
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CLOSING NIGHT

SPENCER (Dir. Pablo Larraín)

An imagining of one weekend in the life of Princess Diana (Kristen Stewart), as she spends the Christmas holiday with the royal family at the Sandringham estate in Norfolk, and decides to leave her marriage to Prince Charles.
2021, 101 min, Drama, Theater

 
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NARRATIVE COMPETITION

FERNY & LUCA (Dir. Andrew Infante) - WORLD PREMIERE

A look into the on-and-off relationship between Ferny, a sweet and naive pretty boy, and Luca, a rough and tumble disco queen, who is more concerned with chasing her dreams than chasing boys... mostly.
2021, 70 min, Drama, Theater/Virtual


JUJU STORIES
(Dirs. Abba Makama, C.J. ‘Fiery’ Obasi, Michael Omonua) - NORTH AMERICAN PREMIERE
A three-part anthology film exploring juju (magical) stories rooted in Nigerian folklore and urban legend, written and directed by the Nigerian new wave cinema collective known as Surreal16.
2021, 84 min, Drama/Fantasy/Horror


THE PILL
(Dir. Franco Clarke) 
An African-American family indulges in the use of a secret pill that helps them cope with their day-to-day stressors of racism outside of their home.
2021, 81 min, Comedy, Theater/Virtual


WE’RE ALL GOING TO THE WORLD’S FAIR
(Dir. Jane Schoenbrun) 
Reality and fantasy begin to blur when a teen immerses herself in a role-playing horror game online.
2021, 86 min, Drama/Horror, Theater/Virtual


QUEEN OF GLORY
(Dir. Nana Mensah) 
Ghanaian-American Sarah is all set to abandon her Ivy League doctoral program to follow her married lover across the country. Her plans are derailed, however, when her mother’s sudden death leaves her the owner of a neighborhood bookshop in the Bronx.
2021, 75 min, Comedy/Drama, Theater

 
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DOCUMENTARY COMPETITION

LARRY FLYNT FOR PRESIDENT (Dir. Nadia Szold)
Assembled from never before seen footage shot in 1983, this film documents controversial Hustler magazine publisher Larry Flynt's unlikely bid for the White House after a gunman's bullet left him partially paralyzed.
2021, 90 min, Documentary, Theater/Virtual


ONE OF OURS
(Dir. Yasmine Mathurin) 
After a Haitian-born youth is racially profiled at an Indigenous basketball tournament, he wrestles with his shaken sense of belonging in his Indigenous adoptive family while attempting to heal from his past.
2021, 88 min, Documentary, Virtual/Theater


WE STILL HERE
(Dir. Eli Jacobs-Fantauzzi) 
An introduction to the incredible youth activists of Comerío, Puerto Rico, who navigate the aftermath of Hurricane Maria, a disaster that brought an unprecedented level of devastation to an island already in economic and political crisis.
2021, 100 min, Documentary, Virtual


YOU DON’T KNOW ME
(Dir. Jon Kent) 
A documentary film about Tennessee death row inmate Abu-Ali 'Abdur Rahman and the celebrated attorney and justice system that failed him following one of Nashville’s most notorious crimes.
2020, 100 min, Documentary, Theater/Virtual

 
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NARRATIVE SPOTLIGHT

A CHIARA (Dir. Jonas Carpignano)
A 15-year-old girl doggedly searches for the truth behind her adored father's sudden abandonment in Calabria.
2021, 121 min, Drama, Theater/Virtual


C’MON C’MON
(Dir. Mike Mills) 
Johnny (Joaquin Phoenix) and his young nephew (Woody Norman) forge a tenuous but transformational relationship when they are unexpectedly thrown together in this delicate and deeply moving story about the connections between adults and children, the past and the future.
2021, 108 min, Drama, Theater


MEMORIA
(Dir. Apichatpong Weerasethaku) 
From the extraordinary mind of Palme D’or winning director Apichatpong Weerasethakul, and starring Academy Award-winner Tilda Swinton, comes a meditative mystery about a Scottish woman who begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. 
2021, 136 min, Drama, Theater


PETITE MAMAN
(Dir. Céline Sciamma) 
8-year-old Nelly has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. While exploring the surrounding woods where her mother used to play, she meets another little girl who seems eerily familiar. Nelly’s new friend takes her to a house that is a mirror of her own.
2021, 72 min, Drama, Theater/Virtual


I WAS A SIMPLE MAN
(Dir. Christopher Makoto Yogi) 
As Masao (Steve Iwamoto) gets sicker, he is visited by ghosts of his past, including his wife, Grace (Constance Wu), who helps shepherd him into the beyond. Merging dream, family history, romantic period piece, all bridged by gently psychedelic observations of nature. 
2021, 101 min, Drama, Virtual


SECRET SCREENING
One of the most daring and moving films of the year! You won’t want to miss this. 
2021, 142 min, Theater

 
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DOCUMENTARY SPOTLIGHT

ALIEN ON STAGE (Dirs. Danielle Kummer and Lucy Harvey)
Bus Drivers from Dorset, England stage a homemade homage of Ridley Scott's ALIEN, with special effects needing "more luck than judgement."
2021, 86 min, Documentary, Theater/Virtual


FLEE 
(Dir. Jonas Poher Rasmussen) 
Recounted mostly through animation to director Jonas Poher Rasmussen, Amin Nawabi tells of his extraordinary journey as a child refugee from Afghanistan.
2021, 90 min, Documentary, Theater/Virtual


MAURICE HINES: BRING THEM BACK
(Dir. John Carluccio) 
An intimate portrait of an outspoken showman who with humor and grace navigates the highs and lows of a seven-decade career, and a complex relationship with his superstar brother, Gregory Hines.
2021, 95 min, Documentary, Virtual


THE MUSHROOM SPEAKS
(Dir. Marion Neumann) 
A film about the fungal reign explores the theme of renewal, and questions what connects us when the world seems to be falling apart.
2021, 89 min, Documentary, English, Virtual


SISTERS WITH TRANSISTORS
(Dir. Lisa Rovner)
Beautifully narrated by Laurie Anderson, this documentary is about electronic music's women pioneers, including Clara Rockmore, Daphne Oram, Bebe Barron, Pauline Oliveros, Delia Derbyshire, Maryanne Amacher, Eliane Radigue, Suzanne Ciani, and Laurie Spiegel.
2021, 86 min, Documentary, Virtual

 
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DEPARTURES
Films That Depart from Expectations

BUNKER (Dir. Jenny Perlin) - WORLD PREMIERE
The debut feature film of renowned filmmaker Jenny Perlin investigates the lonely lives of American men who have decided to live in decommissioned military bunkers and nuclear missile silos, and follows the process of building and selling these structures to the wealthy and not-so-wealthy alike. 
2021, 92 min, Documentary, Theater/Virtual


MANY FIRES THIS TIME WE THE 100 MILLION
(Dir. Jason R.A. Foster) 
A poetic docudrama about the 1 in 3 Americans living in economic insecurity. It follows the journey of poet and activist A Scribe Called Quess? as he connects with fellow activist poets and the communities they represent from Oakland to Chicago to Kentucky to his hometown of New Orleans.
2021, 70 min, Documentary, Virtual 


NORTH BY CURRENT
(Dir. Angelo Madsen Minax)
A family death spurs a first-person study on the nature of grief, time, and origins.
2021, 86 min, Documentary, Theater/Virtual


PROCESSION
(Dir. Robert Greene)
A group of survivors of sexual abuse by Catholic priests battle for justice.
2021, 119 min, Documentary, Theater


STE. ANNE
(Dir. Rhayne Vermette)
Shot over the course of two years, Ste. Anne traces an allegorical reclamation of land through personal, symbolic and historical sites all across Treaty 1 Territory, heartland of the Métis Nation.
2021, 80 min, Drama, Virtual

 
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SOUNDS
Films That Celebrate Music

ELDER’S CORNER (Dir. Siji Awoyinka)
ELDER’S CORNER is a historical music documentary showcasing the lives and work of Nigeria's pioneering musicians.
2021, 97 min, Documentary, Theater/Virtual


LISTENING TO KENNY G
(Dir. Penny Lane) 
Penny Lane’s documentary takes a witty and provocative look at the easy-listening saxophonist’s story while asking: what makes music good or bad?
2021, 97 min, Documentary, Theater/Virtual


POLY STYRENE: I AM A CLICHE
(Dirs. Celeste Bell and Paul Sng)
The life and work of X-Ray Spex singer-songwriter and punk icon Poly Styrene is explored by her daughter in this dynamic yet delicate personal film. There are also explorations of Styrene’s identity as a half-Somali woman in the largely white punk scene.
2021, 96 min, Documentary, Theater/Virtual


REZ METAL
(Dir. Ashkan Soltani Stone)
A documentary about the metal band I Don't Konform and the vibrant heavy metal scene throughout the Navajo reservation. 
2021, 75 min, Documentary, Virtual

 
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HOMETOWNER FEATURES
Films From Memphis Filmmakers

A BALLET SEASON (Dirs. David Goodman, Steven J. Ross)
A year in the life of Ballet Memphis, a southern dance organization dedicated to putting diversity on the stage while challenging preconceptions about regional ballet. This predominantly observational documentary follows the many individuals and artists who collaborate together as a community over the course of a dizzying pre-pandemic season (2018-2019).
2021, 56 min, Documentary, Theater/Virtual


THE LUCKY ELEVEN
(Dir. George Tillman)
A group of eleven young men from the south side of Memphis began their journey in Jr High and made their way to the NFL.
2021, 66 min, Documentary, Theater/Virtual


KILLER
(Dir. A.D. Smith, 90 min) 
After a pandemic strikes the nation, ten friends decide to quarantine under the same roof. Unfortunately, one of them is a killer. 
2021, Horror, Theater/Virtual


LIFE AIN’T LIKE THE MOVIES
(Dir. Robert Butler)
An awkward 16 year old black teen comes of age and learns about love, bullying, tragedy and how to connect to his father who he's extremely different from.
2021, Drama, Theater/Virtual


REEL ROCK: BLACK ICE
(Dirs. Peter Mortimer & Zachary Barr)
A crew of aspiring ice climbers from the Memphis Rox gym travels to the frozen wilds of Montana, where mentors Manoah Ainuu, Conrad Anker and Fred Campbell share their love of winter adventure in the mountains.
2021, 45 min, Virtual/Theater

 
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REVIVALS/ RESTORATIONS

CHAMELEON STREET (Dir. Wendell B. Harris Jr.)
In this seminal work in African-American independent film, William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he’s had enough. His solution is to re-invent himself. He becomes a chameleon, taking on whatever role suits the situation.
1989, 94 min, Comedy/Drama, Theater


DEEP BLUES
(Dir. Robert Mugge)
Music critic Robert Palmer narrates the insightful story of Delta blues and North Mississippi hill country blues.
1992, 91 min, Documentary, Theater


RADIO ON
(Dir. Chris Petit)
Set in 1970s Britain, a man drives from London to Bristol to investigate his brother's death. The purpose of his trip is offset by his encounters with a series of odd people.
1979, 104 min, Drama, Theater

 
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SPECIAL SCREENING

Don Meyers Memorial Retrospective
A collection of some of the notable films by actor, filmmaker, artist, and Memphis legend, Don Meyers.
2021, 180 min, Theater


About Indie Memphis

The mission of Indie Memphis, a 501(c)3 arts organization, is to create community through independent film and support the development of filmmakers. Learn more at IndieMemphis.com.


Media Contacts

Festival PR Contact
Caitlin Hughes, Caitlin Hughes PR
973.970.4689
caitlin@caitlinhughespr.com


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JEZEBEL Director Numa Perrier to Select Next Recipient of Indie Memphis Black Filmmaker Fellowship for Screenwriting

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(Memphis, TN | April 26, 2021) The Indie Memphis Black Filmmaker Fellowship in Screenwriting, is back for a third year. The recipient of the fellowship will be selected by award-winning screenwriter and director, Numa Perrier

The chosen screenwriting fellow will receive $7,500 of unrestricted cash in order to work primarily on developing their narrative feature film script between the dates of October 15th - December 15th, and have a completed screenplay by the end of 2021.

Applications must be submitted by 11:59pm CST on Friday May 28th, 2021 at indiememphis.org/memphis-fellowship

Support for the Indie Memphis Black Filmmaker Fellowship in Screenwriting is provided by the Remembering George Riley Fund.


WHAT IS PROVIDED:

  • $7,500 of unrestricted cash to assist for time off work, rent, food, or directly towards the project.

  • Periodically meeting with advisors and filmmakers experienced with shooting in Memphis and beyond.

  • Location and production advice from the Memphis & Shelby County Film/TV Commission.


RULES & ELIGIBILITY:

  • Applicants must be at least 18 years of age.

  • Applications are open to any filmmaker and/or screenwriter that is a United States citizen of African descent currently residing in the Greater Memphis Metro area.

  • Applicant may be either an emerging or established screenwriter. The applicant must show how this fellowship will be unique and beneficial to the development of their project and career.

  • The fellow is expected to focus on writing their feature film screenplay and developing their project during the two month period.

  • If selected, the fellow must provide their own computer and script writing software.

  • The fellow must agree to make every attempt that a majority of the movie be filmed in the Greater Memphis area, if produced.

  • Only one submission per applicant will be accepted.

  • Only one screenwriter will be accepted into the fellowship.

  • Adaptations are eligible, but the applicant must show legal permission of the right to adapt.

 
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ABOUT NUMA PERRIER:

Born in Haiti and raised in small town USA, Numa Perrier has emerged as a provocative voice in the film/TV landscape.  Her early work includes starring in and writing the hit web series, The Couple, which scored a deal at HBO.

She co-founded the pioneering streamer, Black&Sexy TV, serving as a creator, director, and showrunner on over a dozen series including Roomieloverfriends (produced by Issa Rae) and Hello Cupid (co-created by Lena Waithe).

She then moved on to her feature film directorial debut, Jezebel, which premiered at SXSW 2019 and is distributed on Netflix via ARRAY Releasing. Numa is the recipient of the Best Feature and Best Director Awards at the American Black Film Festival, is a Root100 alumni and is also counted as one of the all women directing team on Queen Sugar. 

Numa is in pre production on her first studio film, The Perfect Find, with Netflix starring Gabrielle Union.  In front of the camera Numa recurred as  guest star on Showtime's irreverent comedy SMILF in a critically acclaimed story arc about immigrants.  Numa is currently starring in the surreal thriller Fuzzyhead alongside Rain Phoenix, and is in development on numerous projects including TOXIC, an erotic thriller series, and her follow up feature, Blood Mother, via her boutique production arm House of Numa.

University of Memphis Department of Communication & Film and Indie Memphis announce “The Debuts” Film Series at the Malco Summer Drive-In

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Memphis, TN (April 12, 2021) – University of Memphis Department of Communication & Film and Indie Memphis join forces to launch "The Debuts" screening series at the Malco Summer Drive-In on May 5-6, focusing on first feature films by renowned American filmmakers. These stories, originating from all over the country, are a fascinating glimpse into the beginnings of successful Hollywood film careers. Screenings will include MEDICINE FOR MELANCHOLY, by Oscar-winning MOONLIGHT director Barry Jenkins, SUN DON'T SHINE, by THE GIRLFRIEND EXPERIENCE co-creator and SHE DIES TOMORROW director Amy Seimetz, and SHOTGUN STORIES, by MUD and LOVING director Jeff Nichols. Each screening will also feature a discussion of the work, including interviews with Seimetz and Nichols, and a discussion with the Memphis Black artists platform The Collective.

Tickets are $10 to the public, and free for both University of Memphis students and Indie Memphis members.

More information and screening times can be found at indiememphis.org/screening-series.

Sponsored in part by the Campus Community Fund of the University of Memphis.


Medicine for Melancholy (2008) | Dir. Barry Jenkins
May 5 @ 8:00PM CST | Presented with The Collective

This romantic drama, starring Wyatt Cenac and Tracey Heggins, tracks the first 24 hours of a relationship between two young San Franciscans. While they attempt to discover if they might have a future together, they also both find themselves dealing with the challenges of being Black in a rapidly gentrifying city. 

Shotgun Stories (2007) | Dir. Jeff Nichols
May 6 @ 7:50PM CST

This drama, starring Michael Shannon, tracks a blood feud between two sets of half-brothers, set in the back roads of Southeast Arkansas. One set of brothers were deserted by a violent, alcoholic father, who never even gave them proper names. The second set knew a different, sober man who led a comfortable middle-class life. When the first sons crash their father's funeral, it ignites escalating violence that underscores the lengths to which they all will go to protect their family.

Sun Don’t Shine (2012) | Dir. Amy Seimetz
May 6 @ 10:00PM CST

This drama, starring Kate Lyn Sheil and University of Memphis graduate Kentucker Audley, follows Crystal and Leo, two lovers on a tense and mysterious road trip through the desolate, sun-scorched landscape of central Florida. As they travel up the Gulf Coast, the disturbing details of their trip start to emerge, revealing Crystal's sinister past - and the couple's troubling future.

Media Inquiries

Miriam Bale | Indie Memphis, Artistic Director
Miriam@indiememphis.com

Marty Lang | Assistant Professor, Film and Video Production
Marty.Lang@memphis.edu

Indie Memphis announces Knox Shelton as the organization’s new Executive Director

 
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Memphis, TN (March 4, 2021) – After an extensive five-month nationwide search, Indie Memphis today announced Knox Shelton as its new Executive Director. Chosen for his exceptional credentials and experience, Knox is an accomplished nonprofit executive and served most recently as the Executive Director of Literacy Mid-South.

Of his new role Knox said, "I am honored and thrilled with the opportunity to lead Indie Memphis. The organization has made tremendous strides over the past several years and has an incredibly optimistic future. I look forward to combining years of working alongside the Memphis community with my passion for film as we continue to anchor Memphis as a thriving artistic environment for film and production."

The Indie Memphis Board of Directors is confident that Knox will further the organization’s tradition of growth, excellence and service to the city of Memphis. He brings to the position a love of storytelling, strategic leadership, and a deep commitment to our wonderfully diverse community of film lovers and filmmakers.

Brett Robbs, the Indie Memphis Board President said, “Thanks to his inclusive vision and values Knox will help us continue to support a range of filmmakers and present an ever greater variety of films that reflect our own community’s many different stories, interests and experiences.”

Speaking on behalf of the Indie Memphis staff, Artistic Director Miriam Bale said, “We are thrilled to be working with someone who feels as passionately as we do about the importance of storytelling and education. With Knox, we’re confident there will be no lag, but a seamless continuation of the work we have done and exponential growth towards where we would like to be.”

2021 Sundance Film Festival Will Meet Audiences Where They Are

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2021 Sundance Film Festival Will Meet Audiences Where They Are

Festival Offers Robust Online Platform and Announces Screening Partnerships with Independent Cinemas and Cultural Organizations 

PARK CITY, UTAH — The nonprofit Sundance Institute today unveiled plans for the seven-day 2021 Sundance Film Festival, offered digitally via a custom-designed online platform (festival.sundance.org) alongside drive-ins, independent arthouses, and a network of local community partnerships. The online expression of the Sundance Film Festival will provide global access for storytellers and audiences alike to come together, experience artists new work, connect with one another, and participate in conversation. All films in the program will be available online in the United States, with certain films opting for global availability. The full talks and events program, as well as the New Frontier section for XR and emerging media, will be available globally. The Festival runs January 28 through February 2, 2021.


“Even under these impossible circumstances artists are still finding paths to make bold and vital work in whatever ways they can,” says Tabitha Jackson, in her first year as Festival Director. “So Sundance, as a festival of discovery, will bring that work to its first audiences in whatever ways we can. The core of our Festival in the form of an online platform and socially distanced cinematic experiences is responsive to the pandemic and gives us the opportunity to reach new audiences, safely, where they are. And thanks to a constellation of independent cinema communities across the U.S. we are not putting on our Festival alone. At the heart of all this is a belief in the power of coming together, and the desire to preserve what makes a festival unique -- a collaborative spirit, a collective energy, and a celebration of the art, artists, and ideas that leave us changed.”


“Our Festival footprint has changed this year, but we are excited to bring an incredible community together in new ways to engage with new artists and new stories -- whether they’re joining us for the first year or have been for decades,” said Sundance Institute Executive Director Keri Putnam. “Our ambition is for everyone to come together, safely, wherever they may be, and participate in screenings on our platform at the same time. The Sundance team has consulted with artists, worked with incredible partners, and built a plan to welcome new audiences and capture a true Festival spirit.”

FEATURE FILMS 

As at past Sundance Film Festivals, films will premiere throughout the day, with Day One films set to debut Thursday, January 28, at 6 p.m. U.S. Mountain Time. During the 2021 Festival, each of the 70+ feature films will premiere online in a dedicated time slot, followed by a live Q&A. Multiple films will premiere simultaneously roughly every three hours from 10 a.m. to 10 p.m. U.S. Mountain Time. This rollout is designed to preserve the energy of a Festival, with an abundance of choices and collective experiences, as audiences can begin the film simultaneously, and participate in the live Q&A which follows (viewers can also begin films any time within three hours of their premiere’s start). All films will return to the platform two days after their premiere for a “second screening,” offered on demand for 24 hours. The platform’s movie player is powered by Shift72 and developed with best-in-industry security and access practices. In a Festival first, the entire 70+-feature lineup on the platform will be closed-captioned on demand, and Q&As will be live-captioned.

SHORT FILM, INDIE SERIES PROGRAMS

The Short Film and Indie Series (formerly Indie Episodic) programs, focused on creative storytelling outside the feature format, will include 50 short films and world premieres of four episodic works. These will be available on demand on the Festival platform for the full length of the Festival. 

NEW FRONTIER

Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology -- and 2021 is no exception, with 14 works in the program. For the first time ever, adventurous audiences around the world will be given the chance to engage with the works, the artists, and each other via a bespoke virtual platform, accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s fully immersive, big-screen theater, and Film Party is an interactive social space where the entire community of accredited Festivalgoers can safely gather together again. The environment also features interactive tools such as proximity audio and video chat. 

SATELLITE SCREENS

Expanding beyond its Utah home, the Festival has created a network of partnerships to bring feature films and customized local programming -- talks, events, artist meet-ups -- to communities across the country. In addition to these Satellite Screen partnerships, the Institute will program screenings at The Ray in Park City and the Rose Bowl and Mission Tiki Drive-Ins in Los Angeles, health and safety guidelines permitting. Each Satellite Screen will create and host their own events, sharing local cultural conversations with broader Festival audiences, with most also screening selections from the 2021 program.


“These partners are the backbone of independent artistic communities across the country, where filmmakers are born and cinephiles are developed,” said Jackson. “We’re entering these partnerships because a healthy ecosystem for artists and audiences requires that independent cinemas across the country survive and thrive.”


Programming details for films at these screens will be available when the program is announced later this month, and these plans will evolve in conjunction with the COVID-19 pandemic health and safety guidelines. Participating U.S. partner organizations and locations include: 

Alabama: Birmingham with Sidewalk Film Festival
Sidewalk Film Center, Sidewalk Drive-In


Arizona: Tucson with The Loft Cinema 
The Loft Open Air Cinema 


California: 
Montclair
with American Cinematheque
Mission Tiki Drive-In

Pasadena with the Rose Bowl
Rose Bowl Drive-In

San Francisco with The Roxie Theater 
Roxie Theater, Fort Mason Drive-In

 
Colorado: Denver with Denver Film
Sie FilmCenter


Florida:
Key West
with Tropic Cinema
Tropic Cinema, The Key West Lighthouse, The Truman Little White House, The Ernest Hemingway House and Museum

Miami with Third Horizon and O Cinema
New World Symphony SoundScape Park and South Miami-Dade Cultural Arts Center


Georgia: 
Atlanta
with Atlanta Film Society
The Plaza Theater, Plaza Drive-In, Dad’s Garage Drive-In

Macon with Macon Film Festival 
Douglass Theatre


Hawaii: Honolulu with Doris Duke Theatre at the Honolulu Museum of Art (HoMA)


Iowa: Iowa City
with FilmScene
FilmScene at The Chauncey


Kansas: Wichita with mama.film
mama.film microcinema, Wichita Art Museum, Groover Labs


Kentucky: Louisville with The Speed Art Museum
Speed Art Museum


Louisiana: New Orleans with New Orleans Film Society 
The Broad Theater


Maryland: Baltimore with Maryland Film Festival
Stavros Niarchos Foundation Parkway Theater


Massachusetts: Brookline with Coolidge Corner Theatre  
Coolidge Corner Theatre


Michigan: Detroit with Cinema Detroit


Minnesota: Minneapolis-St. Paul
with FilmNorth
Riverview Theater


New York: Pleasantville with The Jacob Burns Film Center 
Jacob Burns Film Center & Media Arts Lab


Ohio: Columbus with Gateway Film Center
Gateway Film Center


Oklahoma: Tulsa with Circle Cinema
Circle Cinema, Circle Cinema Drive-In, Admiral Twin Drive-In, Philbrook Museum, OSU-Tulsa, Tulsa University, Gilcrease Museum


Pennsylvania: Philadelphia with BlackStar Film Festival


Puerto Rico: San Juan
with Asociación de Documentalistas de Puerto Rico (AdocPR)
Museo de Arte de Puerto Rico (MAPR)


South Carolina: Columbia with The Luminal Theater
Spotlight Cinemas Capitol 8


Tennessee:
Memphis
with Indie Memphis 
Malco Summer Drive-In

Nashville with Belcourt Theatre  
Belcourt Theatre


Texas: 
Austin
with Austin Film Society
AFS Cinema

Dallas with Aviation Cinemas
Texas Theatre

Houston with Houston Cinema Arts Society
MoonStruck Drive-In, DeLUXE Theater


Utah: 
Park City
The Ray

Salt Lake City with Salt Lake Film Society


Washington: 
Seattle
with Northwest Film Forum

THE PLATFORM:

One of the fundamental values of the Festival is gathering: it’s a place where a global community of independent artists can convene for a generative and open exchange of ideas. This year, that will take place on the platform’s Festival Village, a free-to-all space where Satellite Screens, partners, and Festival sponsors will host a wide range of events, programming, and offerings to complement and enrich the official program. The platform’s Main Street will act as both an homage to the iconic Park City thoroughfare and as an extension of the Festival’s core programming, featuring digital partner spaces hosting conversations, musical performances, and more. The Artist Lounge will feature a space for creators to gather for artist programming, as well as for the Festival’s Class of ’21 to network and celebrate at private events.

TICKETING DETAILS

Tickets and passes for those who want to experience the Festival for the full run, a single day, or a single screening will be available to the general public beginning January 7; further details will be available later this month. For more information, sign up at Festival.Sundance.org.

The Sundance Film Festival®

The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won't You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs, and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T,  DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois® , Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, NPR, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. sundance.org/festival

Sundance Institute

As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theater, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute's signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won't You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

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2020 Festival Award Winners

Indie Memphis Announces Award-Winners from the 2020 Film Festival, Including Emma Seligman’s SHIVA BABY, Anthony Banua-Simon’s CANE FIRE, Ephraim Asili’s THE INHERITANCE, and More

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(October 28, 2020 | Memphis, TN)

Indie Memphis Film Festival, presented by Duncan-Williams, Inc., is pleased to announce this year’s award-winners. The ceremony was held virtually on the evening of October 28th and awards were presented by festival staff, as well as members of the awards juries. Adjusting to the changing landscape, this year’s festival was held “Online and Outdoors” as film lovers from all over the world will participate in the virtual screenings and events. The 2020 festival screened over 230 feature films, shorts, and music videos, with most screenings followed by filmmaker Q&As.

Jury awards highlights include Best Narrative Feature for Emma Seligman’s SHIVA BABY, Best Documentary Feature for Anthony Banua-Simon’s CANE FIRE, Best Hometowner Feature for Lauren Ready’s WE CAN’T WAIT, Best Sounds Feature for Lily Renae’s BORN BALEARIC: JON SA TRINXA AND THE SPIRIT OF IBIZA, and Best Departures Feature for Tali Yankelevich’s MY DARLING SUPERMARKET, among others.

The Festival Awards, decided by Indie Memphis Festival staff, include the Ron Tibbett Excellence in Filmmaking Award for Ephraim Asili (THE INHERITANCE), the Craig Brewer Emerging Filmmaker Award for Gillian Horvat (I BLAME SOCIETY), and the Soul of Southern Film Award for Lawrence Matthews (THE HUB), among others. 

Audience awards will be announced in the next coming days.

Full list of the 2020 Indie Memphis Film Festival award-winners is included below; please email Caitlin Hughes at Caitlin@CaitlinHughesPR.com to request screeners and to confirm your coverage.

 

2020 Indie Memphis Film Festival Award-Winners


Jury Awards

Awarded by Jurors

  • Best Narrative Feature - SHIVA BABY by Emily Seligman, $1K Cash Prize

  • Duncan-Williams, Inc. Scriptwriting - EXECUTIVE ORDER by Lusa Silvestre, Lázaro Ramos, Aldri Anunciação, Elísio Lopes Jr., $1K Cash Prize

  • Best Narrative Short - “Paradise” by Deni Cheng, $500 Cash Prize 

  • Best Documentary Feature - CANE FIRE by Anthony Banua-Simon, $1K Cash Prize

  • Best Documentary Short - “Jesa” by Kyungwon Song, $500 Cash Prize

  • Best Departures Feature - MY DARLING SUPERMARKET by Tali Yankelevich, $500 Cash Prize

  • Best Departures Short - “The Return of Osiris” by Essa Grayeb

  • Best Hometowner Feature - WE CAN’T WAIT by Lauren Ready,  $1K Cash Prize

  • Best Hometowner Narrative Short - “Empty” by Michael Butler, Jr., $500 Cash Prize

  • Best Hometowner Documentary Short - “Road to Step” by Zaire Love, $500 Cash Prize

  • Best Hometowner Music Video - "You're My Jesus" by The Poet, Havi

  • Best Sounds Feature - BORN BALEARIC: JON SA TRINXA AND THE SPIRIT OF IBIZA by Lily Renae, $500 Cash Prize

  • Best Animated Short - “Grab My Hand: A Letter to My Dad” by Camrus Johnson, Pedro Piccinini 

  • Best Music Video - “Colors” by Black Pumas, dir. by Kristian Mercado 

  • Documentary Short Indiegrant - “Here Be Dragons” by GB Shannon, $13K Grant Package

  • Narrative Short Indiegrant - “Beware of Goat” by Justin Malone, $13K Grant Package

  • Proof-of-Concept Indiegrant - “Beale St. Blues” by Daniel Ferrell, $13K Grant Package

  • Best Poster Design - PIER KIDS


Festival Awards

Awarded by Festival Staff

  • Ron Tibbett Excellence in Filmmaking - THE INHERITANCE by Ephraim Asili

  • Craig Brewer Emerging Filmmaker - I BLAME SOCIETY by Gillian Horvat

  • Soul of Southern Film - THE HUB by Lawrence Matthews

  • Best After Dark Short - “The Three Men You Meet at Night” by Beck Kitsis, $500 Cash Prize

  • Indie Award - Daniel Lynn, Sound Engineer @Music + Arts Studio

  • Vision Award - Kelly Chandler, Founder of Indie Memphis


About Indie Memphis

The mission of Indie Memphis, a 501(c)3 arts organization, is to create community through independent film and support the development of filmmakers. Learn more at IndieMemphis.com

Media Contacts

Festival PR Contact
Caitlin Hughes, Caitlin Hughes PR
973.970.4689
caitlin@caitlinhughespr.com


Black Creators Forum Contact
Joy Doss, East West PR
646.489.4432
joy@eastwestpr.net

2020 Festival Lineup Announcement

Indie Memphis Announces Preliminary Slate for the  2020 Indie Memphis Film Festival, October 21st-29th Online and Outdoors

Still from IM 2020 World Premiere What Do You Have to Lose?

Still from IM 2020 World Premiere What Do You Have to Lose?

(September 24, 2020 | Memphis, TN)

Indie Memphis Film Festival, presented by Duncan-Williams, Inc., is pleased to announce the full slate of films for its 2020 incarnation, spanning from October 21st - October 29th, 2020. Adjusting to the changing landscape, this year’s festival will be “Online and Outdoors” as film lovers from all over the world will participate in the virtual screenings and events. The 2020 festival will screen over 230 feature films, shorts, and music videos, with most screenings followed by filmmaker Q&As. Memphis audiences will also enjoy in-person screenings at the Drive-In and outdoor lawns.

This year’s festival will give focus to BIPOC and women filmmakers. This year, especially, there is a focus on politics, but with a myriad of approaches to what that means and how someone can engage. There are films about aging, weed legalization, electoral politics, activism, unhoused LGBQT+ youth,  and more. In this difficult moment, the festival seeks to reflect the community and the world, with a wide range of filmmakers tackling themes that matter to their communities. 

More talks and events will be announced in weeks to come, including Indie Talks and new events for the digital edition of the festival. Festival Artistic Director Miriam Bale says, “We hope to bring people together, in person and online, and provide inspiration and an outlet. In order to counter Screen Burnout, we’ll be offering a series of what we call ‘Groundings’ throughout the digital festival, including a meditative film called ‘A Still Place’ by festival alumnus Christopher Yogi.”

This year also marks the final year that Executive Director Ryan Watt will be at the festival. Watt says of stepping down from his role, "This year is a truly unique festival experience to keep our audience safe and entertained while online and outdoors. My sixth and final festival at the helm is bittersweet, I'll be soaking in every bit of the incredible program our team has assembled."

The festival also features many film premieres including the World Premiere of Trimiko Melancon’s documentary What Do You Have to Lose?, which explores the history of race in America and the U.S. Premiere of Anthony Banua-Simon’s documentary Cane Fire, which examines the past and present of the Hawaiian island of Kaua’i. This year’s Opening Night film will be Memphis-born Lynne Sachs’ celebrated documentary A Film About a Father Who, comprised of 35 years of footage that Sachs’ captured of her father as she attempts to uncover his secretive past.

In addition, the festival features a host of festival favorites including Mario Furloni and Kate McLean’s Freeland, starring Krisha Fairchild (Krisha) as an aging pot farmer facing extinction and Emma Seligman’s culture clash comedy Shiva Baby. The Retrospective section will include a new restoration of Joyce Chopra’s Smooth Talk in Laura Dern’s breakout role, and classic titles such as Sidney Lumet’s The Wiz starring Diana Ross and the Richard Pryor comedy Car Wash, in tribute to filmmaker Joel Schumacher, who died earlier this year and wrote both films. 

Passes to the public are available on the Indie Memphis website here and new programming additions will be announced in the coming weeks leading up to the festival! 

For more information, to request press passes, advance links to films, and to request interviews with filmmakers or Indie Memphis personnel, please email Caitlin Hughes at Caitlin@CaitlinHughesPR.com


 

2020 Indie Memphis Film Festival Slate

Films Are Alphabetical by Section

 

NARRATIVE COMPETITION

Freeland (Mario Furloni and Kate McLean, 80 min)
An aging pot farmer (Krisha Fairchild, Krisha) suddenly finds her world shattered as she races to bring in what could be her final harvest, fighting against the threat of eviction as the impact of the legalization of the cannabis industry rapidly destroys her idyllic way of life. 


I Blame Society
(Gillian Horvat, 84 min)
A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film... and committing the perfect murder. 


Reunion
(Jake Mahaffy, 96 min)
A pregnant woman returns to her recently deceased grandparents' family home to spend time with her estranged mother. What begins as a reunion turns terrifying.


Executive Order
(Lázaro Ramos, 103 min)
In a dystopian near future in Brazil, an authoritarian government orders all citizens of African descent to move to Africa – creating chaos, protests, and an underground resistance movement that inspires the nation.

Take Out Girl (Hisonni Mustafa, 100 min)
To give her family a chance at a better life and save her family's failing restaurant, Tera Wong, a desperate 20-year-old Asian girl, parlays her Chinese food delivery expertise into a profitable drug hustle.

American Thief (Miguel Silveira, 90 min)
A teen hacker seeking revenge for his father's murder, a young activist, an internet conspiracy vlogger, and an artificial intelligence programmer become pawns in a plot to derail the 2016 presidential elections.

Shiva Baby (Emma Seligman, 77 min)
At a Jewish funeral service with her parents, a college student runs into her sugar daddy in Emma Seligman’s brilliant cringe-comedy.

 

DOCUMENTARY COMPETITION


Cane Fire (Anthony Banua-Simon, 90 min) - U.S. PREMIERE
Cane Fire​ examines the past and present of the Hawaiian island of Kauaʻi, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast indigenous and working-class residents as “extras” in their own story. 


Film About a Father Who (Lynne Sachs, 74 min) - OPENING NIGHT FILM
Between 1984 and 2019, Memphis-born filmmaker Lynne Sachs shot film and video images of her father. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings. 


So Late So Soon (Daniel Hymanson, 70 min)
A half-century into their marriage, two Chicago artists look back at their life together as they contend with the deterioration of their bodies and beloved home.


Pier Kids (Elegance Bratton, 96 min)
Following the lives of three LGBTQ homeless youth of color who, after being kicked out of their home for their sexuality, have become homeless on the same street the Gay Rights Movement began so long ago.


Unapologetic (Ashley O'Shay and Morgan Johnson, 83 min)
After two Black Chicagoans are killed, millennial organizers challenge an administration complicit in state violence against its residents in this deep look into the Movement for Black Lives.

What Do You Have to Lose? (Trimiko Melancon, 74 min) - WORLD PREMIERE
Exploring the history of race in the United States to shed light on the current political and racial landscape in America during the post-Obama age of Trump. From Charlottesville and the rise of the alt-right to Black Lives Matter and the death of George Floyd, this film takes an arresting look at how did we get here, why does it matter, and what do we, as individuals and a nation, have to lose.

 
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SOUNDS

Films That Celebrate Music

Born Balearic: Jon Sa Trinxa and the Spirit of Ibiza (Lily Rinae, 71 min) - WORLD PREMIERE
Adjacent to Ibiza’s party capital, resident DJ Jon Sa Trinxa has spent a quarter of a century on the beach spinning an eclectic mix of musical styles that stir the hearts of the Balearic artist community.


Shoe: A Memphis Music Legacy (121 min) 
Memphis musicians, singers, songwriters, engineers, and producers reunite to remember and record their days at Shoe Productions, an underground studio that was about to be left out of Memphis Music History.


The Memphis Masters
(Andrew Trent Fleming, 37 min) - WORLD PREMIERE
The Memphis Masters multi-part video series, directed by Andrew Trent Fleming, celebrates various albums from the iconic Stax Records label reissued on vinyl pressed at Memphis Record Pressing. The Series showcases the Label's enduring musical legacy influential to many around the world. 

 
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HOMETOWNER FEATURES

Films by Memphis Filmmakers

Coming to Africa (Anwar Jamison, 96 min)
A philandering financial executive unexpectedly finds himself in Africa on an amusing adventure where he meets a beautiful Ghanaian schoolteacher and finds nourishment for his soul.


Smith (Jason Lockridge, 117 min) - WORLD PREMIERE
Underwhelmed by corporate assignments, a private detective is approached by a client with the type of investigation he longed for.


We Can’t Wait (Lauren Ready, 37 min) 
Tami Saywer’s quest to become the first black female mayor of Memphis.


The Hub (Lawrence Matthews, 46 min) - WORLD PREMIERE
Following the narrative of a young man recently let go from his low paying warehouse job while he spends his summer navigating the Memphis job and transportation crisis, among his own personal issues.


1st Forgotten Champions (Morreco Coleman, 68 min) 
Hitchhiking his way to college with dreams of a brighter future, Jerry C. Johnson later became the first African American basketball coach to win a NCAA Division III National Basketball Championship in 1975.

 
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DEPARTURES

Films that combine experimental and documentary techniques 


The Giverny Document (Single Channel) (Ja'Tovia Gary, 42 min)
Filmed on location in Harlem, USA and in Claude Monet’s historic gardens in Giverny, France, The Giverny Document is a multi-textured cinematic poem that meditates on the safety and bodily autonomy of Black women.


Her Socialist Smile (Tali Yankelevich, 80 min)
A meditation on a particular moment in early 20th-century history: when Helen Keller began speaking out passionately on behalf of progressive causes -- serving as a rousing reminder of Keller’s undaunted activism for labor rights, pacifism, and women’s suffrage.


My Darling Supermarket (John Gianvito, 93 min) 
Humor, drama, mystery, romance and quantum physics coexist alongside milk cartons, cuts of meat, barcodes and security cameras inside a grocery store.

 
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RETROSPECTIVE (At the Drive-In)


House (Nobuhiko Obayashi, 1977) - Pre-Halloween Screening
A schoolgirl travels with six classmates to her ailing aunt's creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions.


Rad!
(Hal Needham, 1986) - New Restoration
Cult favorite Rad! follows the story of a scrappy bicycle-motocrosser Cru Jones, who has the intensity and desire to win a corrupt promoter's nationally televised cash-prize BMX race.


Smooth Talk (Joyce Chopra, 1985) - New Restoration
A free-spirited 15-year-old Connie (Laura Dern) flirts with a dangerous stranger in the Northern California suburbs and must prepare herself for the frightening and traumatic consequences.


Written by Joel Schumacher (1939–2020)


Car Wash (Michael Schultz, 1976)
A day in the lives of the wacky people involved in an L.A. car wash operation - including the pot-smoking owner's son and a cab driver looking for a missing passenger.


The Wiz (Sidney Lumet, 1978)
An extravagant re-imagining of "The Wizard Of Oz" with pop superstars Diana Ross and Michael Jackson, co-starring Richard Pryor, Nipsey Russell. Music by Quincy Jones.


About Indie Memphis

The mission of Indie Memphis, a 501(c)3 arts organization, is to create community through independent film and support the development of filmmakers. Learn more at IndieMemphis.com

Media Contacts

Festival PR Contact
Caitlin Hughes, Caitlin Hughes PR
973.970.4689
caitlin@caitlinhughespr.com

Black Creators Forum Contact
Joy Doss, East West PR
646.489.4432
joy@eastwestpr.net

Indie Memphis Film Festival 2020

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The 23rd annual Indie Memphis Film Festival presented by Duncan Williams, Inc. will be hosted “Online and Outdoors” from October 21 - 29, 2020 as Indie Memphis seeks to transcend beyond its traditional festival.

Virtual events of the festival will be accessible for attendees both in and outside of Memphis to watch films on their TV or device and participate in online events and discussions -- reaching out to a wider audience than ever before.

Outdoor events in Memphis are available for tight circles of family and friends who can attend as a pod -- while the Memphis Passes allow access to both the online and outdoors events! Passes will allow one vehicle per Drive-In screening, or one pod circle per lawn screening.

In its new form, the film festival will feature over 20 screenings at outdoor venues including nightly films at the Malco Summer Drive-In, as well as lawn screenings at venues including Shelby Farms, Levitt Shell, The Grove at GPAC, Stax Museum parking lot, and the Downtown riverfront.

Virtual passes start at $25 and Memphis Passes (online and outdoors) start at $100. Members receive a 20% discount.

In addition, the Black Creators Forum returns for a third year, this time held virtually for international participation throughout the African Diaspora, on October 17 and 18. Application to attend can be found here

Indie Memphis will also host the national “Regional Roundtable” for the Film Festival Alliance -- the professional organization for film festivals and the people who run them. Festival directors, staff members, and filmmakers will join for industry discussions and networking virtually for the roundtable events on October 16 and 23.

To kick off the reimagined festival season, everyone is invited to join us online for the “Preview Party” on Thursday September 24th -- during which the festival film lineup and schedule will be revealed! Passholders may begin reserving tickets as soon as the schedule goes live during the event, and will have one week to reserve tickets before single tickets go on sale to the general public in early October.

Due to social distancing, capacity is limited for outdoor events. Some virtual events will have limitations due to limited tickets available per guidelines with distributors and some films may have geoblocking.

Sponsorship opportunities close on October 1st, contact us for details!

 

Indie Memphis Announces Leadership Transition

 
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Executive Director Ryan Watt to leave organization in early 2021

 

Aug. 31, 2020 | Memphis, Tenn. – Indie Memphis today announced that executive director Ryan Watt is leaving the organization. Watt, who has led the independent film organization since 2015, will continue in his role until a replacement is selected.


“After six remarkable years, Ryan has decided the time has come for him to explore other creative opportunities,” said Brett Robbs, Indie Memphis board president. “A leader of Ryan’s effectiveness and vision will be deeply missed. But thanks to all he has helped us accomplish Indie Memphis is well-positioned to continue to grow and serve the needs of our entire community.”


Under Watt’s leadership, annual revenue for Indie Memphis more than tripled. Programs grew in number and inclusiveness through an expanded annual film festival, weekly cinema offerings, a youth film program, and strengthened artist development efforts with more than $300,000 paid to artists in grants and prizes.


“I am forever indebted to our staff, board, volunteers, and supporters who have made this an incredible experience,” Watt said. “Supporting some of the most creative artists in the world has been a dream job. I am excited to help recruit our next leader and continue supporting the bright future of Indie Memphis.”


A committee, led by Robbs, will conduct a national search for a new executive director. The job announcement will be posted soon on the Indie Memphis website and on other online platforms. Inquiries may be sent to apply@indiememphis.com. For more information, visit indiememphis.org.


Brett Robbs
(901) 302–6546
brettrobbs926@gmail.com

Media Contact
James Dowd

(901) 233–6457
jamesdowd@yahoo.com

Ryan Watt
(901) 240–9660
ryan@indiememphis.com